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Onstage This Week: The Royal Ballet in LA, ABT's Met Season Comes to a Close, and More!

The Royal Ballet's Sarah Lamb and Steven McRae in Mayerling. Alice Pennefather, Courtesy The Music Center.

Wonder what's going on in ballet this week? We've rounded up some highlights.


The Royal Ballet Brings "Mayerling" to Los Angeles 

The Royal Ballet heads to Los Angeles for two weeks of performances at The Music Center this summer. From July 5–7, the company presents Sir Kenneth MacMillan's Mayerling, based on the true story of the 1889 deaths of Crown Prince Rudolf and his teenage mistress. July 12–13, the company joins forces with choreographer Wayne McGregor and composer-conductor Thomas Adès for Adès & McGregor: A Dance Collaboration. For this landmark production of music and dance world premieres, The Royal Ballet is joined by Company Wayne McGregor and the L.A. Phil.

ABT's Final Week of the Season Features "The Sleeping Beauty"

The eighth and final week of American Ballet Theatre's spring Met season is finally here. July 1-6 the company presents Alexei Ratmansky's lavish 2015 reconstruction of The Sleeping Beauty. This week's run features a few exciting debuts: ABT ballet master Keith Roberts will have his turn as Carabosse, Katherine Williams and Catherine Hurlin will dance Princess Florine, Joo Won Ahn takes on Bluebird and Aran Bell will perform Prince Désiré.

SFB Takes on Ballet Sun Valley

Summer dance festival season is officially underway. San Francisco Ballet makes its way to Idaho's Ballet Sun Valley on July 5 and 7 with two separate programs. The first is a gala style evening featuring artistic director Helgi Tomasson's The Fifth Season and six other short ballets and excerpts. On July 7, the company presents three ballets from its 2018 Unbound Festival of New Works: Stanton Welch's Bespoke, Trey McIntyre's Your Flesh Shall Be a Great Poem and Justin Peck's Hurry Up, We're Dreaming.

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Sponsored by Ellison Ballet
Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:

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National Ballet of Canada principal Heather Ogden in The Sleeping Beauty, which tours to the Kennedy Center this week. Bruce Zinger, Courtesy the Kennedy Center.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Ballet Stars
Karina González in Ben Stevenson's Coppélia. Amitava Sarkar, Courtesy Houston Ballet.

Are you more of a Giselle or a Juliet?

I've always said that my favorite role is Juliet, because of her vulnerability and maturity throughout the ballet. But now that I've performed Giselle, I find her so incredibly enjoyable, from being a village girl who falls in love for the first time to the most tender, almost weightless dancing in Act II.

Are you more at home in the studio or onstage?

I love the time in the studio. The process of starting from zero to getting better each day is so rewarding. My favorite phrase in rehearsals is "Let's do it again, so I can sleep in peace tonight." I need to feel so comfortable in the studio so that when I am onstage there are no bad surprises.

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