News
Aran Bell in Swan Lake. Photo by Gene Schiavone, Courtesy ABT.

Most years, American Ballet Theatre closes its spring Met season with a sweet surprise: company promotions. Artistic director Kevin McKenzie just announced that two members of the corps de ballet—Aran Bell and Joo Won Ahn—are being promoted to soloist, effective September 1.

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News
The Royal Ballet's Sarah Lamb and Steven McRae in Mayerling. Alice Pennefather, Courtesy The Music Center.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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News
From left: Catherine Hurlin, Siphesihle November and Kristian Lever. Karolina Kuras, Courtesy NBoC.

Over the weekend, eight of the world's most promising young dancers competed in Toronto for The Erik Bruhn Prize. Since 1988 the prize, named for celebrated danseur noble Erik Bruhn, has brought together one male and one female dancer from each of the companies that he was affiliated with. Dancers must be between the ages of 18 and 23, and are invited by their artistic directors to compete. Each couple performs a classical and contemporary pas de deux, though they're judged individually.

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Site Network
Photo credits, clockwise from bottom left: Peter Mueller, Courtesy Cincinnati Ballet; Jayme Thornton; Jochen Viehoff, Courtesy Stephanie Troyak; Karolina Kuras, Courtesy National Ballet of Canada; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Kim Kenney, Courtesy Atlanta Ballet; Jim Lafferty; Arian Molina Soca, Courtesy Pennsylvania Ballet; Altin Kaftira, Courtesy Dutch National Ballet; Scott Shaw, Courtesy Shamar Wayne Watt

What's next for the dance world? Our annual list of the dancers, choreographers and companies that are on the verge of skyrocketing has a pretty excellent track record of answering that question.

Here they are: the 25 up-and-coming artists we believe represent the future of our field.

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Ballet Training
Grace Haskins in a PNB School performance of Balanchine's Serenade

At a certain point, you need to take your training to the next level. But with so many options available, how do you know what type of pre-professional program is right for you? For instance, would you rather receive detailed, one-on-one instruction from a private coach or work at the school affiliated with your favorite ballet company? Ramping up your training often requires moving far away from family, or tough financial sacrifices from your parents. Plus, there's that little thing called high school to worry about.

Keep in mind that each option comes with pluses and minuses. For instance, a boarding school may provide supervised housing but lack company exposure. Meanwhile, a company program may offer exciting performance opportunities, but no academic or housing component. To give you an insider's perspective, Pointe took a look at three students enrolled in three different, but fairly typical, training programs. We then broke down their dance schedule, academic life, costs and living situation into chart form to let you see what each approach entails.

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