Holly Jean Dorger, Amy Watson and J'aime Crandall backstage at Jacob's Pillow

Christopher Duggan for Pointe

Royal Danish Ballet's American Leading Ladies: Meet the Four Principals Taking Copenhagen by Storm

While dancing excerpts of August Bournonville's Napoli this summer at the Massachusetts-based Jacob's Pillow Dance Festival, the artists of the Royal Danish Ballet were in perfect sync. The dancers exuded pure cheer, from their buoyant, clear footwork to the precise angle of their épaulement. This seemed fitting for a national company where most members train in the Danish style from age 7 and feed in from the school. Yet three of the principals onstage—Amy Watson, J'aime Crandall and Holly Jean Dorger—are in fact American.


The year 2008 marked a sea change for the Copenhagen-based company. Former RDB and New York City Ballet principal Nikolaj Hübbe took over as artistic director, and brought with him a more global outlook. Hübbe found that the RDB School wasn't churning out enough dancers, so he turned his search outward. Today, four of the company's six principal women are American. (Caroline Baldwin, the final member of the group, was injured and wasn't able to join her colleagues on the Pillow tour.) "They're all different, of course, but they all share a national trait," says Hübbe. "They're extremely professional, and their work ethic is very wholesome, which I've always admired so much in American dancers."Upon their move to Copenhagen, all four ballerinas quickly realized that their new lives extended beyond the theater's walls. They had to adapt to living and working in a culture with a very different value system. "Danes have something called the Jante Law, which is an unwritten and unspoken law that everyone's created equal, no matter where you come from or what title you hold," explains Watson. For American dancers who grew up in an atmosphere of fierce competition, this requires a complete change of perspective. "When I first got here I used to say that it was like being on the moon," says Crandall.

Language also created a barrier. "It's not easy to pick up, and it's not particularly pretty," adds Dorger. "The worst part is that the way it's spelled is not how you pronounce it at all." Despite any initial challenges, all four ballerinas stress the warm and welcoming feel of the company. "Everyone's proud to be in the RDB, so once you're part of it they want to invite you in and make it your family," says Baldwin. For Hübbe, the company's updated makeup has only made it better. "I love that mélange of different backgrounds and cultures, but assembled around something that they can all give themselves to," he says. "I think there's something beautiful about that."

Caroline Baldwin

Courtesy Baldwin

Copenhagen is one of the world's most cycling-friendly cities. Here, Baldwin bikes at Nyhavn, a popular old shipping harbor.

Hometown: Chicago, Illinois

Training: Faubourg School of Ballet in Hanover Park, Illinois

Lucky invitation: Baldwin was spotted at Youth America Grand Prix at age 17 and invited to Denmark for a couple of weeks, after which she was offered an apprenticeship. A year later, she joined the corps.

Becoming a Dane: Baldwin recently applied for Danish citizenship, which requires a series of exams in language, history, and the country's society and politics, all in Danish. "I'm married to a Dane, but I wanted to do it all on my own," she says. "I've always loved school and studying, so I've really enjoyed it."

Amy Watson

Christopher Duggan for Pointe

Watson (far left) in Bournonville's A Folk Tale pas de sept at Jacob's Pillow

Hometown: Virginia, New York, England and California

Training: School of American Ballet

Finding her way to RDB: Watson was exposed to Bournonville as a child when the company toured to California. But her first real taste came during her last workshop performance at SAB, when Hübbe staged Conservatoire. "I found the style beautiful, and much more natural to my body than Balanchine," she says. "I'm lucky because the instinct was correct, and right off the bat I've had a Cinderella-esque climb."

Favorite Bournonville roles: Teresina in Napoli and the Sylph in La Sylphide.

J'aime Crandall

Christopher Duggan for Pointe

Crandall rehearses onstage at Jacob's Pillow with Nikolaj Hübbe to her right.

Hometown: Richmond, Virginia

Training: Kirov Academy of Ballet in Washington, DC

On dancing abroad: Before joining RDB in 2008, Crandall danced at Universal Ballet in Seoul and Dutch National Ballet in Amsterdam. "I've always been more attracted to the European style of companies," she says. "Art is very much a part of the culture, and everyone grows up with that appreciation."

Holly Jean Dorger

Christopher Duggan for Pointe

Dorger preparing her pointe shoes for performance

Hometown: Detroit, Michigan

Training: School of American Ballet

Latest Posts


Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Quinn Wharton

Pacific Northwest Ballet's Angelica Generosa Shares Her Classic, Comfy Style In and Out of the Studio

"I love the feeling and look of effortless fashion," says Angelica Generosa. Preferring a classic style, the Pacific Northwest Ballet soloist keeps her wardrobe stocked with blazers. But they serve a practical purpose, too. "It tends to get chilly in Seattle, so it's the perfect accessory for layering," Generosa explains.

She's also quite fond of designer handbags. "They're my go-to accessory, and they're also my weakness when shopping," she says, naming Chloé, Chanel and Dior as some of her favorite brands. "I really appreciate the craftsmanship it takes to produce one—they're so beautiful and each has its own story, in a way."

In the studio, Generosa prioritizes comfort, and she'll change up her look depending on the repertoire (leotards and tutus for classical works, breathable shirts with workout pants for contemporary). But she always arrives to work in style. "I really love putting together outfits for even just going to the studio," she says. "It's another way of expressing my mood and what kind of vibe I'm going for that day."

The Details: Street

Angelica Generosa, wearing a blue blazer, white blouse and gray jeans, is photographed from underneath as she walks and looks to the right.

Quinn Wharton

BCBG blazer: "It has some shoulder pads and a really cool pattern," says Generosa. "It reminds me of my mom and '80s fashion."

Zara blouse: She incorporate neutrals, like this white satin button-up, to balance bright pops of colors.

Angelica Generosa looks off to her right in front of a glass-windowed building. She wears a blue blazer, white blouse, gray jeans and carries a small green handbag.

Quinn Wharton

Madewell jeans: Comfort is a major factor for Generosa, who gets her fashion inspiration from her mom, friends and people she comes across day to day.

Chloé bag: "I tend to have smaller purses because I'm quite small. Bigger bags overwhelm me sometimes—unless it's my dance bag, of course!"

The Details: Studio

Angleica Generosa, wearing a blue tank leotard, black wool leggings and pink pointe shoes, balances in a lunge on pointe with her left leg in front, facing a wall of windows.

Quinn Wharton

Label Dancewear leotard: "This was designed by my good friend Elizabeth Murphy, a principal dancer here at PNB. Her leotards always fit me really well."

Mirella leggings: "I get cold easily," says Generosa, who wears leggings and vests to stay warm throughout the day.

Angelica Generosa, wearing a blue tank leotard, black wool tights and pink pointe shoes, jumps and crosses her right foot over her left shin while lifting her arms up to the right.

Quinn Wharton

Freed of London pointe shoes: "When sewing them, I crisscross my elastics and use an elasticized ribbon from Body Wrappers," which helps alleviate Achilles tendon issues, she says. She then trims the satin off of the tip of the shoe. "Then I bend the shank a bit to loosen it up and cut a bit off where my arch is."

Getty Images

This New "Nutcracker" Competition Wants Your Dance Studio to be Part of a Virtual Collaboration

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

Keep reading SHOW LESS

Editors' Picks