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Follow Friday: Celebrity Dance Coach Kurt Froman's Instagram Gives Us Access to Hidden NYCB Gems

Former New York City Ballet dancer Kurt Froman is best known for training celebrities such as Jennifer Lawrence for dance roles on film. Yet Froman's Instagram has become our newest obsession for a whole other reason. Over the past few months, Froman has been posting rarely-seen clips of old NYCB rehearsal and performance videos. These videos feature Balanchine dancers from the early days, such as Suzanne Farrell, Arthur Mitchell, Karin von Aroldingen, Allegra Kent and Jacques d'Amboise as well as recently retired stars like Damian Woetzel, Darci Kistler, Peter Boal, Wendy Whelan and Lourdes Lopez. The videos are majority of works by Balanchine and Jerome Robbins (often in honor of his centennial this year), mixed in with a few television features on Balanchine.

If, like us, you're prone to geeking out over ballet history, you might want to set aside the rest of your afternoon (ahem, week) to dive in. We've posted some of our favorites below.

Allegra Kent and Jacques d'Amboise in Balanchine's A Midsummer Night's Dream, early 1960s.



Merrill Ashley in Balanchine's Stars and Stripes,1984.


Kay Mazzo, Karin von Aroldingen and Suzie Hendl in Balanchine's Serenade.


Robbins rehearsing his Goldberg Variations.


Suzanne Farrell and Chris d'Amboise in Balanchine's Slaughter on Tenth Avenue,1985.


Wendy Whelan and Albert Evans in Balanchine's Symphony in 3 Movements, 1996.


Darci Kistler and Carlo Merlo in Robbins' The Concert, 1990.

Ballet Careers
Lenai Alexis Wilkerson. Christopher Duggan, Courtesy Michelle Tabnick Public Relations.

This is one of a series of stories on recent graduates' on-campus experiences—and the connections they made that jump-started their dance careers. Lenai Alexis Wilkerson graduated from University of Southern California with a BFA in dance (dance performance concentration) and a political science minor in 2019.

As Lenai Alexis Wilkerson looked at colleges, she wanted a school that would prepare her for two totally different professions: dancing and law. "I knew, pretty much when I was 16, that I wanted to go to law school," she says. "So I wanted the opportunity to have a dual college experience, where I could have a conservatory training style within a university and I could focus equally on my academics." When she auditioned for the inaugural class of University of Southern California's Glorya Kaufman School of Dance, she knew it was the right fit.

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Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

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News
Nicolas Pelletier in Carmina Burana. Francisco Estevez, Courtesy Colorado Ballet.

Last week, Colorado Ballet interrupted Nutcracker rehearsals for an exciting announcement: Four dancers were being promoted. Though all made the jump from the company's corps de ballet, Nicolas Pelletier ascended directly to the rank of soloist, while Sean Omandam, Emily Speed and Melissa Zoebisch were promoted to demi-soloist. This news comes hot on the heels of last August's promotion of Francisco Estevez to principal.

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Courtesy School of Pennsylvania Ballet

While many of us are deep in Nutcracker duties, The School of Pennsylvania Ballet director James Payne has been looking further ahead, finalizing preparations for the school's summer intensive programs. In January, he and his staff will embark on a 24-city audition tour to scour the country for the best young dancers, deciding whether or not to offer them a spot—maybe even a scholarship—in the school's rigorous 5-week intensive focused on high-caliber ballet instruction. Though he'll be evaluating aspirants, he urges that as a student, you should be equally selective in choosing programs that could galvanize your training—and possibly even your career.

We got Payne's advice on strategizing your summer intensive plan before the audition cycle kicks in:

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