Ballet Careers

A Day in the Life of a Dance Major: Kiahna Saneshige, University of Cincinnati

Saneshige performing the Black Swan pas de deux with Cincinnati Ballet's Patric Palkens. Photo by Will Brenner. Courtesy CCM.

Pointe caught up with three college dancers last spring to see what it's like juggling ballet, academics and a social life on campus. Here's Kiahna Saneshige, a student at the College-Conservatory of Music at the University of Cincinnati getting her BFA in dance with a minor in communications.

Saneshige posing with friends in CCM's dance studios. Photo Courtesy Saneshige.

When Kiahna Saneshige attended Cincinnati Ballet's summer intensive after her junior year of high school, she knew she wanted a professional career but wasn't sure joining a company after graduation would completely satisfy her. "The RAs were all University of Cincinnati, College-Conservatory of Music students, and they gave me the rundown of what the school was like," she recalls. "It's known for the excellent quality of its dancers, plus I could have the social life of college and the chance to pursue another degree besides dance." Saneshige, who graduated from CCM in May, says the last four years were challenging but couldn't have prepared her better for her next step: a position with Columbus Dance Theatre.


9:05–10:35 am: Limón technique, an especially good bridge for ballet dancers transitioning to contemporary styles. Saneshige, who lives in a studio apartment five minutes from campus, gets up around 8 and has breakfast (coffee, fruit and yogurt) en route to class.

11:15 am–1:45 pm: Ballet and pointe technique. "We're usually on a three-week rotation between different instructors," Saneshige says. "CCM also brings in a lot of guest choreographers and master teachers, which gives us a chance to network." When Columbus Dance Theatre director Tim Veach taught earlier this year, Saneshige expressed interest in his company. After inviting her to take company class over spring break, he offered her a job.


Pre-class selfie. Photo Courtesy Saneshige.

1:45–2:35 pm: Lunch break. Saneshige brings nuts, fruit or a smoothie to keep her fueled throughout the day. "There are lots of amazing ethnic restaurants near campus, so I'll grab ramen or curry if I have extra time," she adds.

2:35–3:30 pm: Partnering class or rehearsal

3:30–5:15 pm: Rehearsals. CCM students perform several times a year, and also have the chance to choreograph on their peers and showcase their work. "I love having every aspect of the performing arts together in one building," she says. "Each production we do is a collaboration of costume design, wig, makeup, lighting and sound design students."


Saneshige in costume for Roger van Fletersen's "unRAVELed." Photo Courtesy Saneshige.

6–8:50 pm: Academics. With so much of the day spent in the studio, Saneshige chooses to take some of her academics (like dance history, integrated media and medieval history) online. "For a lot of us, online is the best option, but you have to be extremely self-disciplined. There's no one on top of you to tell you when to get things done!"

Saneshige also worked one night a week at the campus Starbucks and a weekend shift at a local sushi restaurant. "Everything lined up with what I needed," she says. "I experienced everything a college student would, while getting prepared for a professional career."

Want more? Check out a day in the life of Butler University's Elizabeth Abbick and Glorya Kaufman School of Dance at the University of Southern California's Jackie Schiffner.

Show Comments ()
Photo by Rob Becker, courtesy DePrince.

In January, a commercial for Chase's QuickPay Mobile App starring Michaela DePrince aired on national television. In March, it was announced that Madonna would be directing the movie version of DePrince's autobiography. And in April, she graced the cover of Harper's Bazarre Netherlands. With all the buzz, it's easy to forget that the Dutch National Ballet soloist has been sidelined since August 2017 with a ruptured Achilles tendon. Pointe checked in with DePrince to see how her recovery is going.

Last fall, you ruptured your Achilles tendon. How did that happen?

It was the first of August. I was in Sicily doing an event with Google. We had dinner at a temple and it was just absolutely incredible. I'm kind of clumsy outside of ballet, so I thought it would be safer if I took my shoes off. Then Lenny Kravitz starts to sing a song and he dedicates it to me. I got up and went to go sit next to him on the stage. When I got up from sitting, I stepped in the wrong place at the wrong time. I knew right away that I ruptured my Achilles. They brought me to an ambulance and took me to the hospital. I flew back to the Netherlands the next day and had an appointment with the doctors here in Amsterdam. They said, "Yeah, you ruptured three quarters of your Achilles." And then on August 14, I had surgery.

Keep reading... Show less
Make sure you're comfortable slipping into pointe shoes for center. Photo by Jim Lafferty.

I was offered a company contract (my first!) starting this fall. What should I do in the meantime to make sure I'm as prepared as possible? —Melissa

Keep reading... Show less
Ballet Stars
Photographed by Jayme Thornton for Pointe.

This is Pointe's April/May 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

If you are a dance lover in South Korea, EunWon Lee is a household name. The delicate ballerina and former principal at the Korean National Ballet danced every major classical role to critical acclaim, including Odette/Odile, Giselle, Kitri, Nikiya and Gamzatti. Then, at the peak of her career, Lee left it all behind.

In 2016, she moved to Washington, DC, to join The Washington Ballet. The company of 26 is unranked, making Lee simply a dancer—not a soloist, not a principal and not a star, like she was back home.

"I try to challenge myself, and always I had the urge to widen my experience and continue to improve," she says one blustery winter day after company class, still glowing from the exertion of honing, stretching and strengthening. "When I had a chance to work with Julie Kent, I didn't hesitate."

Keep reading... Show less
Olga Smirnova. Photo by Quinn Wharton.

Several weeks ago, Youth America Grand Prix announced that the lineup for tonight's Stars of Today Meet the Stars of Tomorrow gala at Lincoln Center's Koch Theater would include Bolshoi Ballet principal Olga Smirnova and first soloist Jacopo Tissi. But an article in Page Six published last night states that Smirnova and Tissi were denied visas to enter the US.

YAGP organizers "believe the Department of Homeland Security's decision may be motivated by the myriad tensions between the superpowers," says the piece, noting that "Smirnova is so revered in Moscow that her treatment could create a Russian backlash."

Keep reading... Show less
Houston Ballet principal Connor Walsh getting early practice as a leading man. Photo courtesy Connor Walsh

It's that time of year again—recital season! And not so long ago, some of your favorite ballet dancers were having their own recital experiences: dancing, discovering, bowing, laughing, receiving after-show flowers, making memories, and, of course, having their pictures taken! For this week's #TBT, we gathered recital photos—and the stories behind them—from five of our favorite dancers.

Gillian Murphy, American Ballet Theatre

Murphy gets ready for her role as "Mary Had a Little Lamb." Photo courtesy Gillian Murphy.

"This photo was taken by my mom when I was 11, waiting in the dressing room (the band room of West Florence High School in South Carolina) before I went onstage as 'Mary' for a recital piece featuring 3-year-olds as little lambs.I had so much fun being the teacher's assistant in the baby ballet class each week, particularly because my little sister Tessa [pictured below] was one of the 3-year-olds. I remember feeling quite grown up at the time because I was dancing in the older kids' recital piece later in the program, but in this moment I was just looking forward to leading my little lambs onstage in their number."

Keep reading... Show less
popular
Thinkstock.

From the latest launches to forever favorites, these stretch-canvas flats will (comfortably) keep you on your toes:


Bloch Inc. Infinity


Bloch combined the top features from two of their best-selling shoes to create this arch-enhancing slipper. An elastic top line (instead of draw- string) allows the shoe to mold to your foot, and a ridge-less outsole helps with balances and turns by giving the toes more room to spread out.


Keep reading... Show less
popular
Photo by Jacob Bryant, Courtesy Random Acts

"When you turn up at someone's door saying, 'I would like to make the first dance in Antarctica,' they often call you crazy."

So says Kiwi choreographer and former ballet dancer Corey Baker. Luckily, his persistence paid off. On Sunday, April 22 (that's Earth Day, everybody), Baker, who now directs the U.K.–based Corey Baker Dance, is releasing his short film "Antarctica: The First Dance." Commissioned by Random Acts for Channel 4 and The Space (UK), the four-minute film stars Royal New Zealand Ballet dancer Madeleine Graham—who performed in unimaginably frigid conditions to promote Baker's very important message. "I wanted to highlight Antarctica's epic landscape and vast beauty, but at the same time show that it is under threat," he says. "Climate change impact is real and immediate. By showing up-close the beauty of this incredible place, people can feel closer to something that may otherwise seem abstract and unconnected."

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!