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Brooklyn Mack to Debut With American Ballet Theatre in "Le Corsaire"

Photo by Carlos Quezada, Courtesy ABT

American Ballet Theatre announced today that Brooklyn Mack, a former Washington Ballet star, will join the company as a guest for its spring season at the Metropolitan Opera House. Currently an in-demand international guest artist, Mack will dance in three performances of ABT's Le Corsaire this June.


Known for his powerful, show-stopping bravura, Mack first made waves on the international ballet competition scene, winning medals at Jackson, Helsinki and Varna (where he won gold). After dancing with the Joffrey Ballet, ABT's Studio Company and Orlando Ballet, he joined TWB, where he stayed for nine years. During that time he was nominated for the prestigious Benois de la Danse award and launched a high-profile guest-artist career, performing in Moscow, Paris, Havana and with the English National Ballet (where he also performed Le Corsaire—check out this rehearsal footage below with Bolshoi legend Irek Mukhamedov).


Many were surprised when Mack announced that he was leaving TWB last September. He later told The Washington Post that he and TWB artistic director Julie Kent could not come to an agreement over his salary, workload and guesting schedule. Mack has wasted no time since then, dancing with Tiler Peck at New York City Center's Fall for Dance Festival, as well as guest performances with the State Ballet of Georgia and Hong Kong Ballet (now led by Mack's former boss Septime Webre, who left TWB in 2016).

This June marks Mack's ABT debut, and his performances will bring welcome diversity to the season's male casting. Mack is set to dance the role of Ali at the matinee on Wednesday, June 12, and the central role of Conrad on the evenings of June 13 and June 15.

Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

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Everything Nutcracker
Pennsylvania Ballet demi-soloist Thays Golz as the Sugar Plum Fairy during a stage rehearsal for George Balanchine's Nutcracker. All photography by Arian Molina Soca.

For many professional ballet dancers, Nutcracker means weeks of performances. That usually translates to multiple casts—and important breakout opportunities for those in the junior ranks. On the afternoon of December 13, Pennsylvania Ballet demi-soloist Thays Golz made her debut as the Sugar Plum Fairy along with her Cavalier, corps member Austin Eylar. For the Brazilian-born dancer, who joined PAB in 2018 after two seasons at Houston Ballet, Sugar Plum marks one of her first principal roles.

"I'm really excited," says Golz. PAB artistic director Angel Corella appointed 12 casts of Sugar Plum Fairies over the run's 29 performances. "When I first found out, I was like, 'Pinch me!' I still can't believe it."

We caught up with Golz just before her debut to see how she prepared for her big break.

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Rosalie O'Connor, Courtesy US Prix de Ballet

The US Prix de Ballet is taking an unconventional approach to the ballet competition—by putting the competitors' health first. After a successful first year in 2018, the Prix is returning to San Diego, CA this February with an even more comprehensive lineup of wellness workshops and master classes, in addition, of course, to the high-level competition.

Though the talent is top-notch, the environment is friendly, says HARID Conservatory faculty member Victoria Schneider, who serves on US Prix de Ballet's elite panel of judges. "The wellbeing of the dancer is the main focus," says Schneider, who awarded three scholarships to HARID at last year's competition.

US Prix de Ballet was born after its founders traveled to the Japan Grand Prix International Ballet Competition in 2016. "The company ran every aspect of the competition with professionalism, dignity, honor and precision," says founder Neisha Hernandez. "We knew we wanted this level of experience for America."

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