Adelaide Clauss and Tamás Krizsa perform Swan Lake's Act II pas de deux. Gene Witkowski, Courtesy The Washington Ballet.

2019 Stars of the Corps: The Washington Ballet's Adelaide Clauss

Watching Adelaide Clauss dance intoxicates the senses, a visual equivalent of a flower's perfume. This past spring, while performing Swan Lake's Act II pas de deux at a benefit in her hometown of Buffalo, New York, her melding of grace and technique revealed her to be an artist of great promise. Her delicately positioned arms and hands floated as if to frame the beauty of ballet itself. Clauss was in her element: "I really love the demands of classical adagio," she says.


Clauss (third from left) in Antony Tudor's Lilac Garden with The Washington Ballet. Theo Kossenas, Courtesy TWB.

Trained at Buffalo's Neglia Conservatory of Ballet, Clauss later studied at the American Ballet Theatre's Jacqueline Kennedy Onassis School and performed the role of child Clara in Alexei Ratmansky's The Nutcracker. After a year with ABT Studio Company, she joined the unranked Washington Ballet in 2016. The 21-year-old, who performs mostly ensemble roles, has nonetheless been featured as the Dark Angel in Balanchine's Serenade, the Snow Queen and Dewdrop in The Nutcracker, and the Lilac Fairy in The Sleeping Beauty. In 2018, artistic director Julie Kent chose her for a two-month dancer exchange with the Royal Danish Ballet. "She works with a lot of thought and consideration," says Kent. "Nothing is ever wasted information with Adelaide."

Latest Posts


Cory Weaver, Courtesy San Francisco Opera

Dancing Divas: How Performing in Operas Can Be a Career High Note

From the flamenco of Carmen to the sprites of Rusalka, dance plays a supporting role in countless operas—and opera can play a significant part in a ballet dancer's career. Pointe went behind the curtain with three dancers whose artistic paths have led them to the opera world.

Keep reading SHOW LESS
James Barkley, Courtesy Dance for Change

Take Class From Celebrated Black Dancers and Raise Money for the NAACP Through Dance for Change

Since the nationwide fight against racial inequality took center stage in May, organizations across the dance world have been looking for meaningful ways to show their support, rather than fall back on empty social media signifiers. July 10-11, Diamante Ballet Dancewear is taking action with Dance for Change, a two-day event dedicated to fundraising for the NAACP, and amplifying the voices of Black professional dancers.

Organized by Diamante Ballet Dancewear's founder, Nashville Ballet 2 dancer Isichel Perez, and Pittsburgh Ballet Theatre teacher Elise Gillum, Dance for Change makes it easy to participate. Dancers need only to make a donation to the NAACP (in any amount) and email proof to diamante.ballet@gmail.com to be given online access to a full schedule of Zoom master classes taught by Black pros artists. Teachers include Ballet Memphis' George Sanders, Boston Ballet's Daniel Durrett, Pittsburgh Ballet Theatre's Corey Bourbonniere, and more. "It's important that we amplify BIPOC voices during this time, and it's also important that we're conscious of where we're putting our dollars," says Bourbonniere. "Diamante is doing both with Dance for Change, and I'm honored to be in this talented group of melanated dancers."

Keep reading SHOW LESS

Houston Ballet's "Dancing With Myself" Captures How We All Feel Right Now

What are dancers to do when they're still stuck at home in isolation? After all, there's only so much time you can spend taking barre, tackling your reading list (or Netflix queue) or ticking items off your to-do list. Even wistfully looking out the window has lost its appeal after a few months.

That's when you need a dance party—even it's for a party of one.

Keep reading SHOW LESS

Editors' Picks