Profiles

2019 Stars of the Corps: Staatsballett Berlin's Yuria Isaka

Yan Revazov, Courtesy Staatsballett Berlin

When Yuria Isaka danced the grand pas de deux in Staatsballett Berlin's The Nutcracker alongside Daniil Simkin last winter, you never would have known it was her first season as a professional; a graduate of the Princess Grace Academy in Monaco, the fledgling corps member dances with a refined maturity and pristine clarity, exuding a particularly honest and infectious joy. "It's only now starting to sink in that I got to dance Clara," admits Isaka, a native of Japan. "Daniil is so imaginative and kind, and really took time to work with me on the role. It was amazing to dance with him!"


Isaka in La Bayadère. Markus Rack, Courtesy Staatsballett Berlin.

Along with dancing her dream role, Isaka shined this season as a demi-soloist Bayadère in Alexei Ratmansky's reconstruction of La Bayadère, in the pas de trois of Patrice Bart's Swan Lake and as a carnival jester in John Cranko's Romeo and Juliet. Though she's the smallest dancer in the company, her height doesn't limit her aspirations. "I try to concentrate on myself every day, and working toward more principal roles," she says. "It helps to focus on what's in front of you."

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Darian Volkova, Courtesy Shayer

After years of rigorous training, ballet dancers become accustomed to constructive and oftentimes harsh criticism. Being scrutinized is something that comes with the territory.

I myself spent the better half of my high school years in Russia, where political correctness does not get in the way of progress. We were trained to use criticism as fuel to propel us forward. Everything said in class or rehearsal was meant to help better ourselves and not to be taken personally.

But where is the line between helpful advice and offensive language?

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News
Greta Hodgkinson and Guillaume Côté in Margeurite and Armand. Karolina Kuras, Courtesy National Ballet of Canada.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Training
Students at Sun King Dance's Adult Ballet Camp. Jenny McQueen of Capture Photography, Courtesy Sun King Dance.

For adult recreational dancers, summer isn't just a time for swapping out warm-up sweaters for breezy tees—it's also about taking your training to the next level, and perhaps packing your bags for a ballet workshop. Why should teens and pre-professionals have all of the fun? Fortunately, there are scores of adult summer programs all over the United States, and even abroad for those of you looking to sprinkle in a little sightseeing after your final reverénce. (Can't wait for summer? Check out these spring workshops at National Ballet of Canada and Sarasota Ballet.)

What can adults expect from a weekend or a week of dance training? Everything from technique to repertoire to yoga. Most of all, it's a chance to just dig in and dance, without a pesky to-do list waiting for you after class. Here are some summer programs designed for adult recreational dancers to keep on your radar.

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