Boston Ballet principal Derek Dunn at age 12 in a variation from Flames of Paris at the 2008 YAGP finals. Courtesy YAGP.

13 of Today's Top Stars Share Their YAGP Photos and Videos

The Youth America Grand Prix New York Finals are starting up again this week, running April 12-19. This year, YAGP is celebrating its 20th anniversary. April 18-19 marks the competition's annual Stars of Today Meet the Stars of Tomorrow gala, featuring 13 pros who are also YAGP alumni. We've rounded up photos and videos from those stars' YAGP years and shared them with you here.


Taylor Stanley

First up is New York City Ballet principal Taylor Stanley at age 16. Stanley placed in the top 12 for senior men at the 2008 YAGP New York Finals. From beginning to end, this variation from Coppélia showcases Stanley's flexibility and ballon, but we especially love his at leap at 0:21 (and the audience's collective gasp).

Skylar Brandt

American Ballet Theatre soloist Skylar Brandt has had a long history with YAGP; she took home silver medals in both 2004 and 2008. Here she is in a variation from Swan Lake in 2008 at age 14. Despite her young age, Brandt looks completely in control onstage; her sense of musicality and charisma are on full display.

Tyler Donatelli

Courtesy YAGP

Here's a shot of Houston Ballet soloist Tyler Donatelli at age 13 in a variation from Harlequinade at the YAGP 2010 New York Finals. Donatelli came in first place in the Los Angeles regionals that year, though she didn't place in the Finals. But the following year she came in third in the New York finals, and the year after that she won a silver medal.

Cory Stearns

American Ballet Theatre principal Cory Stearns is serious and stoic at age 14 in this variation from Swan Lake at the 2001 YAGP finals. His performance earned him a scholarship to The Royal Ballet School in London, where he stayed for two years before returning to New York to join the ABT Studio Company. Check out the old school YAGP poster in the background!

Rebecca King

Courtesy YAGP

YAGP is in Finnish National Ballet first soloist Rebecca King's blood; her mother, Shelly King, spent 12 years as the competition's director of operations. Though she grew up competing, In 2007, at age 19, King returned to the U.S. from Ukraine, where she'd be dancing with Donetsk National Ballet, to compete in YAGP once more. She caught the eye of a European headhunter who sent her video to Prague State Opera Ballet, setting her on her current path.

Hee Seo

ABT principal Hee Seo took home the silver medal in 2002 at age 15—see her in a variation from The Sleeping Beauty above. The next year, Seo competed again and won the Grand Prix. Today, Seo is committed to giving back. Four years ago, she created the Hee Seo Foundation to work with YAGP and help young dancers in her home country, Korea. In addition to giving grants and helping place students at company-affiliated schools, Seo teaches free master classes for students all over Korea.

Derek Dunn

Former comp star and current Boston Ballet principal Derek Dunn won the Youth Grand Prix Award in 2008 and gold medals in 2010 and 2012. At the 2012 competition Houston Ballet artistic director Stanton Welch discovered him and offered him an apprenticeship. In his 2016 Pointe cover story, Dunn said that winning YAGP at age 12 opened his eyes. "I discovered how much I loved ballet," he said. "I realized that I am good at this."

Catherine Hurlin

Courtesy YAGP

A pint-sized 11-year-old Catherine Hurlin won the Hope Award at the 2008 YAGP New York Finals. Today, she's a recently promoted soloist at ABT with a long list of roles already in her repertoire. Between the space buns and the CATS-esque unitard, we truly can't get enough of this photo.

Kimin Kim

At age 19, Mariinsky Ballet principal Kimin Kim is fully in command of his technique in this variation from Diana and Actaeon. Kim joined the Mariinsky in 2012, and three years later, at age 22, was the first foreigner to become a principal there. Kim dances with boundless energy here; check out his pass across the stage at 0:46.

Katherine Williams

Recently promoted ABT soloist Katherine Williams took home the Youth Grand Prix in 2003 at age 14. See the young ballerina's precision and focus in the above variation from The Sleeping Beauty. In 2005 Williams placed among the top 12 senior women; she joined ABT's Jacqueline Kennedy Onassis School the following fall.

Indiana Woodward

Here's a 15-year-old Indiana Woodward, now an NYCB soloist, in a variation from The Nutcracker at the 2009 YAGP finals. A year later she started studying at the School of American Ballet and learning the Balanchine style. Today, the roles of both Sugarplum Fairy and Dewdrop in George Balanchine's The Nutcracker are part of Woodward's repertoire.

Christine Shevchenko

Here we have a 14-year-old Christine Shevchenko competing in YAGP in a variation from Paquita. After training in both rhythmic gymnastics and ballet in her native Ukraine, Shevchenko moved to the U.S. at age eight and studied at The Rock School before joining ABT's Studio Company in 2006. In addition to competing in YAGP, in 2003 Shevchenko became the youngest recipient of the Princess Grace Award, and took home top medals at the Jackson International Ballet Competition and the Moscow International Ballet Competition.

Calvin Royal III

Here's ABT soloist Calvin Royal III in 2006 at age 16 dancing a variation from Swan Lake at the YAGP finals. In September of the same year, Royal began studying at ABT's Jacqueline Kennedy Onassis School, where he trained under the Ethan Stiefel Scholarship until joining the ABT Studio Company in 2007.

Latest Posts


Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Quinn Wharton

Pacific Northwest Ballet's Angelica Generosa Shares Her Classic, Comfy Style In and Out of the Studio

"I love the feeling and look of effortless fashion," says Angelica Generosa. Preferring a classic style, the Pacific Northwest Ballet soloist keeps her wardrobe stocked with blazers. But they serve a practical purpose, too. "It tends to get chilly in Seattle, so it's the perfect accessory for layering," Generosa explains.

She's also quite fond of designer handbags. "They're my go-to accessory, and they're also my weakness when shopping," she says, naming Chloé, Chanel and Dior as some of her favorite brands. "I really appreciate the craftsmanship it takes to produce one—they're so beautiful and each has its own story, in a way."

In the studio, Generosa prioritizes comfort, and she'll change up her look depending on the repertoire (leotards and tutus for classical works, breathable shirts with workout pants for contemporary). But she always arrives to work in style. "I really love putting together outfits for even just going to the studio," she says. "It's another way of expressing my mood and what kind of vibe I'm going for that day."

The Details: Street

Angelica Generosa, wearing a blue blazer, white blouse and gray jeans, is photographed from underneath as she walks and looks to the right.

Quinn Wharton

BCBG blazer: "It has some shoulder pads and a really cool pattern," says Generosa. "It reminds me of my mom and '80s fashion."

Zara blouse: She incorporate neutrals, like this white satin button-up, to balance bright pops of colors.

Angelica Generosa looks off to her right in front of a glass-windowed building. She wears a blue blazer, white blouse, gray jeans and carries a small green handbag.

Quinn Wharton

Madewell jeans: Comfort is a major factor for Generosa, who gets her fashion inspiration from her mom, friends and people she comes across day to day.

Chloé bag: "I tend to have smaller purses because I'm quite small. Bigger bags overwhelm me sometimes—unless it's my dance bag, of course!"

The Details: Studio

Angleica Generosa, wearing a blue tank leotard, black wool leggings and pink pointe shoes, balances in a lunge on pointe with her left leg in front, facing a wall of windows.

Quinn Wharton

Label Dancewear leotard: "This was designed by my good friend Elizabeth Murphy, a principal dancer here at PNB. Her leotards always fit me really well."

Mirella leggings: "I get cold easily," says Generosa, who wears leggings and vests to stay warm throughout the day.

Angelica Generosa, wearing a blue tank leotard, black wool tights and pink pointe shoes, jumps and crosses her right foot over her left shin while lifting her arms up to the right.

Quinn Wharton

Freed of London pointe shoes: "When sewing them, I crisscross my elastics and use an elasticized ribbon from Body Wrappers," which helps alleviate Achilles tendon issues, she says. She then trims the satin off of the tip of the shoe. "Then I bend the shank a bit to loosen it up and cut a bit off where my arch is."

Getty Images

This New "Nutcracker" Competition Wants Your Dance Studio to be Part of a Virtual Collaboration

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

Keep reading SHOW LESS

Editors' Picks