Why You Should Know About the Joffrey’s Winning Works Competition

For aspiring dancemakers who dream of seeing their work performed in a professional setting, the Joffrey Ballet's seventh annual Winning Works competition is an opportunity you'll want to take note of.

Jeffrey Cirio in Paul Taylor's Company B. Photo by Rosalie O'Connor.

The award recognizes promising African, Latino(a), Asian, Arab and Native American artists with a $5,000 stipend, at least 30 rehearsal hours and a group of dancers from the Joffrey Academy Trainee Program and Joffrey Studio Company to set their work on. Winners will premiere their completed original works at a performance in March 2017.

This past year, American Ballet Theatre principal Jeffrey Cirio was one of the winning choreographers. His work, Chapter 1, Chapter 6, included elements of step dancing, and was presented at the Chicago Museum of Contemporary Art in March.

As part of the application, artists must submit a video clip with a short excerpt of their choreography, and a letter describing the kind of work they plan to create. If they choose, this year's applicants can also draw inspiration from the poet Gwendolyn Brooks (the first African American to receive the Pulitzer Prize), whose centennial the Joffrey is celebrating.

The full application is available online, and the deadline is October 1. Start getting those creative wheels turning!

 

For more news on all things ballet, don’t miss a single issue.

Latest Posts


Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

Keep reading SHOW LESS

#TBT: Mikhail Baryshnikov in "Fancy Free" (1981)

In Jerome Robbins's 1944 ballet Fancy Free, three sailors on leave spend the day at a bar, attempting to woo two young women by out-dancing and out-charming one another. In this clip from 1981, Mikhail Baryshnikov, who was then both the artistic director of American Ballet Theatre and a leading performer with the company, pulls out all the stops to win the ladies' affections.

Keep reading SHOW LESS
Bethany Kirby, Courtesy Tulsa Ballet

An Infectious-Disease Physician on What Vaccines Mean for Ballet

As the coronavirus pandemic grinds into its second year, the toll on ballet companies—and dancers—has been steep. How long before dancers can rehearse and perform as they once did?

Like most things, the return to normal for ballet seems to hinge on vaccinations. Just over 22 percent of people in the U.S. are now vaccinated, a way from the estimated 70 to 85 percent experts believe can bring back something similar to pre-pandemic life.

But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

"I don't think companies like ours can survive doing work for eight dancers in masks," Angelini says. "If we want to work, dance, and be in front of an audience consistently and with the large works that pay the bills, immunization is the only road that leads there."

Keep reading SHOW LESS

Editors' Picks