Josephine Lee exploring Oklahoma. Photo Courtesy Lee.
Earlier this summer, we followed master pointe shoe fitter Josephine Lee of the California-based The Pointe Shop as she made her on a pointe shoe fitting tour around the West Coast and California. Now she's back, this time on a 45-day tour from California to Chicago, educating students on all things pointe shoes and helping them to find their perfect fit. Lee's making stops at top ballet companies and academies across the country, interviewing school directors and chatting with professional ballerinas to find out how they customize and break in their pointe shoes. Below, check out Lee's stop at Oklahoma City Ballet. She touches base with company soloist Amanda Popejoy and school director Penny Askew. Stay tuned for more!
Sarah Beth Marr. Photo by Oliver Endahl of Ballet Zaida, Courtesy Marr.
Several years ago, Sarah Beth Marr, then a dancer with Mejia Ballet International in Arlington, Texas, went to see a famous ballerina give an interview at a nearby theater. She was eager to hear the dancer's insights on navigating a ballet career. "I was hoping for some kind of secret sauce in order to keep going," she says. When it came time for a question and answer period, several in the audience asked the ballerina about what got her through challenging times. "Her answer was that she worked really hard and pushed herself and tried to be the best," says Marr, "and there's a lot of truth in that." But she was left with a heavy feeling inside. "Is it all about working really hard and striving and carving my own path, or is there something deeper?"
Joffrey Ballet's April Daly, Yoshihisa Arai and Amanda Assucena in Christopher Wheeldon's Swan Lake. Assucena will make her debut in the role of Odette/Odile this week. Photo by Cheryl Mann, Courtesy Joffrey.
Wonder what's going on in ballet this week? We've pulled together some highlights.
Remie Goins, a student at International City School of Ballet in Atlanta, performs at the YAGP finals. Photo by VAM, Courtesy YAGP.
You've watched First Position, the 2011 documentary about dancers at Youth America Grand Prix. You've studied videos of past ballet competition winners online. Now, you're interested in joining those elite ranks by entering a competition yourself. But what if your school doesn't have a pro- gram set up to guide you through the process? Pointe asked four experts to break down what ballet competition newbies need to know.
Joseph Gordon, pictured here in George Balanchine's Who Cares?, became New York City Ballet's newest principal this weekend. Photo by Paul Kolnik, Courtesy NYCB.
On October 13, the evening before the close of New York City Ballet's fall season and longtime principal Joaquin De Luz's retirement performance, Jonathan Stafford, the leader of the company's interim artistic team, promoted seven company dancers: six men and one woman. In addition to De Luz, NYCB lost three other principal men this fall. Chase Finlay, Zachary Catazaro and Amar Ramasar were fired last month in the midst of a scandal surrounding the sharing of sexually explicit communications. With principal Adrian Danchig-Waring out of commission while recovering from a broken foot, the company has been in need of male dancers to bolster its upper ranks.
Joseph Gordon has been promoted to principal, and Daniel Applebaum, Harrison Coll, Claire Kretzschmar, Aaron Sanz, Sebastian Villarini-Velez and Peter Walker have been promoted to soloist. All seven made a number of debuts throughout the yearand shone in featured roles; we've rounded up some of their recent accomplishments below.
From left: ABT principals Devon Teuscher, Christine Shevchenko and Gillian Murphy isn Praedicere. Photo by Marty Sohl, Courtesy ABT.
Last spring American Ballet Theatre artistic director Kevin McKenzie announced the company's Women's Movement, a multi-year initiative to support the creation of new work by female choreographers. ABT's fall season, running October 17–28 at Lincoln Center's David H. Koch Theater, sets the project in full swing. The opening gala features a world premiere by tap extraordinaire Michelle Dorrance. A co-commission with the Vail Dance Festival, this work marks ABT's third collaboration with Dorrance this year: She created Praedicere, a pièce d'occasionfor ABT's spring gala, as well as a work on company dancers at Vail last summer. The gala performance also includes past and present works by two female choreographers: Twyla Tharp's 1986 In The Upper Room and Lauren Lovette's 2017 Le Jeune, which will be danced by the ABT Studio Company.
Sarah Lane and Jeffrey Cirio in Harlequinade. Photo: ErIn Baiano
American Ballet Theatre's two months of performances at New York City's Metropolitan Opera House can be an exciting but demanding time for the dancers. With nine ballets in eight weeks including Whipped Cream and Harlequinade, a night off is hard to come by.
James Whiteside as Harlequin in Harlequinade. Photo: Rosalie O'Connor
Josephine Lee outside Ballet West Academy. Photo Courtesy Lee.
Earlier this summer, we followed master pointe shoe fitter Josephine Lee of the California-based The Pointe Shop as she made her on a pointe shoe fitting tour around the West Coast and California. Now she's back, this time on a 45-day tour from California to Chicago, educating students on all things pointe shoes and helping them to find their perfect fit. Lee's making stops at top ballet companies and academies across the country, exploring schools and getting know academy directors. Below, check out Lee's stop at Ballet West. She touches base with academy director Peter Merz. Stay tuned for more!
San Francisco Ballet soloist Koto Ishihara stretches in her warm-up boots. Photo by Quinn Wharton for Dance Magazine.
With cooler weather finally here, it's time to talk warm-ups. And while your dancewear drawer is probably overflowing with oversized sweaters, leggings and enough leg warmers to outfit the whole class, warm-up boots are often forgotten. To keep your feet and ankles cozy in between rehearsals, we rounded up dance warm-up boots that suit every style.
Bloch Inc. Printed Warm-up Bootie
via Bloch Inc.
Created by Irina Dvorovenko and Max Beloserkovsky, this collection comes in a variety of tie dye, floral and even butterfly prints. blochworld.com, $48
Kimin Kim and Soobin Lee. Photo Courtesy SunHee Kim.
Kimin Kim may be a huge star in Russia, but he hasn't forgotten his roots. The prodigious South Korean dancer, who became the Mariinsky Ballet's first foreign principal in 2015, trained at the Korea National University of the Arts, also known as K'Arts. He owes much of his success, he says over email, to the academy's teachers, who prepared him well for his high-profile career. So when dean SunHee Kim approached him about guest-starring in the American premiere of her original ballet Song of the Mermaid, which K'Arts Ballet brings to New York City next week, he didn't hesitate to sign on. "I had performed the role of the Prince while I was at school in Korea and it was such a memorable performance," Kim says. "I've always wanted to do it again, so I happily accepted her offer."
From left: ABT principals Isabella Boylston, James Whiteside, Gillian Murphy, Stella Abrera and Cory Stearns with Harvard Business School professor Anita Elberse. Photo Courtesy HBS.
Between long rehearsal days, performances and hectic touring schedules, it can be hard for professional dancers to plan for their post-performance careers while they're still onstage. This fall, that changes for five American Ballet Theatre principals. Stella Abrera, Isabella Boylston, Cory Stearns, James Whiteside and Gillian Murphy have been chosen as the first dancers to participate in Crossover Into Business at Harvard Business School, a semester-long program designed for professional athletes.
Last year, Crossover Into Business program director and HBS professor Anita Elberse was developing a case study on ABT, and reached out to the company executive director Kara Medoff Barnett, an alumna of HBS. "Anita mentioned the Crossover Program as an experience that has been transformative for professional athletes," says Barnett. "We looked at each other and had the same idea: How about inviting the ABT dancers to sit next to the NBA players?"
Joy Womack in "Don Quixote." Photo by Kyoungjin Kim, Courtesy Universal Ballet.
Joy Womack is no stranger to the road less traveled. As the first American graduate of the Bolshoi Ballet Academy and first American woman to join the Bolshoi Ballet, the California native is accustomed to going out on a limb. Now at 24, after spending last season as a principal dancer with the Universal Ballet in Seoul, South Korea, she is taking a leave of absence and is back in Moscow with a revamped perspective and an impressive bucket list. We caught up with Womack over the phone to hear about her move from Russia to Korea and back again, and how life has changed since venturing on her own.