Barbara Karinska’s “Emeralds” costume for New York City Ballet, 1967. Lent by New York City Ballet, Courtesy The Museum at FIT.

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Pointe Magazine

February 5, 2020

Win a Copy of the Photo Book “Ballerina: Fashion’s Modern Muse”

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Cervilio Miguel Amador, wearing a black t-shirt and black pants, is shown from the knees up with his right hand on his hip as he rests his left hand on the end of a portable ballet barre. He looks to his left, watching dancers as they practice grand battement during a ballet class.

Career

Catching Up With Cincinnati Ballet Artistic Director Cervilio Miguel Amador

Steve Sucato

Logan Savard is shown against a red background with a spotlight haloing his upper body and head. He is wearing a suit: his jacket and pants are black, his dress shirt is white, and his tie has diagonal black-and-red stripes. Savard is looking upward with his arms thrown in the air above his head, palms facing out. He is surrounded by a flurry of blank pieces of paper.

News

Houston Thomas’ New Firebird Goes Corporate

Kyra Laubacher

A pile of pointe shoes.

News

Can Pointe Shoes Leave a Smaller Carbon Footprint?

Rebecca Corey for Dance Retailer News

Katherine Barkman does a piqué first arabesque towards stage right. Her costume is a long pink and white dress and pointe shoes, and she performs in front of a blue backdrop.

Career

How to Mentally Prepare for the Season Ahead

Lauren Wingenroth