There have been rumblings about Wendy Whelan's New York City Ballet retirement for a while now. As of this morning, it's official: The revered principal dancer will take her final bow with the company on October 18.

There's no word yet on what she'll dance for that last show, the culmination of three decades of extraordinary work with NYCB. Yet, however emotional that moment is guaranteed to be, this is just the end of one chapter in Whelan's remarkable career.

Next up is the U.K. premiere of her Restless Creature program in July. (The U.S. Restless Creature tour, which she was forced to cancel this spring due to her longer-than-anticipated recovery from hip surgery, has also been rescheduled for early 2015.) In July of 2015, she'll premiere a new project with the Royal Ballet's Edward Watson in London; that venture will make its way to the U.S. in the spring of 2016. And as if that weren't enough to keep her busy, Whelan has also been appointed artistic associate at New York City Center. For two years, beginning this November, the theater will be her home base, a place for her to develop future projects.

Long story short: Yes, we'll miss Wendy's inimitable presence on the City Ballet stage. But this restless creature isn't abandoning us anytime soon.

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Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop chats with Ballet West soloist Chelsea Keefer to hear about how she prepares her pointe shoes. Keefer offers lots of darning tips, and shares all of the unusual ways that she uses rosin.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Dane Shitagi, Courtesy Chronicle Books

Earlier this year, we shared that photographer Dane Shitagi's Ballerina Project—his gorgeous, ongoing collection of dance photos that have dominated our Instagram feeds for years—would be coming to an end. But all is not lost—starting September 17, you can enjoy over 170 of these photographs in Ballerina Project, a stunning new book showcasing Shitagi's work.

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From left: Kathryn Posin Dance Company members Daniel White, Claire Mazza and Momchil Mladenov in Evolution: The Letters of Charles Darwin. Nan Melville, Courtesy Posin.

Charles Darwin and his theory of evolution might not seem like a natural fit for the ballet stage. But that's exactly the topic of one of choreographer Kathryn Posin's three new ballets, scheduled to premiere at New York City's 92nd Street Y September 13-14.

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