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#TBT Virginia Johnson in "Creole Giselle" (1987)

Virginia Johnson as Giselle and Lorraine Graves as Myrtha in Creole Giselle. Courtesy Dance Theatre of Harlem Archives.

If you've ever visited a Louisiana bayou at night, with the thick fog and eerie swamp waters, the idea of Wilis floating through the reeds might not surprise you. Dance Theatre of Harlem's Creole Giselle transplants the Romantic era ballet from Europe to the antebellum South. In this clip from a 1987 film, Virginia Johnson—former principal dancer and current artistic director of DTH—dances the title role. In the Act I variation, she pairs crisp, solid footwork, full of sailing turns and effortless balances, with soft arms and careful transitions. In some interpretations, Giselle's love for Albrecht and for dancing is exuberant bordering on foolish: You feel for the character in her heartbreak, but it's hard to be surprised. Johnson's joy is steadier, more grounded in reality. I think this makes us feel her subsequent tragedy even more keenly.


Creole Giselle, staged by dance luminary Frederic Franklin, won a Laurence Olivier Award in 1984. Johnson's contributions to the dance world are equally notable. She was a founding member of DTH under artistic director Arthur Mitchell and—another reason why we love her—she served as Pointe's founding editor-in-chief from 2000-2009. Happy #ThrowbackThursday!

Health & Body
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I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa

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Sponsored by The Rock School
From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

What inspires busy pros to keep returning to their alma mater? We talked to three of The Rock School's buzziest alums about why they make it a priority to come back and teach:

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News
The National Ballet of Canada's Harrison James and Emma Hawes in Orpheus Alive. Karolina Kuras, Courtesy NBoC.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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