La Fille Mal Gardée, or in English "The Wayward Daughter," is one of the oldest story ballets still in modern repertoire. The tale's enduring magic lies in themes of youth, following your heart and true love, along with playful bits of entertainment, like the clog dance and ribbon pas de deux. As Lise, Russian-born ballerina Valentina Kozlova captures the character's spirited innocence. Dancing alongside her as her beloved Colas is Chris Jensen, star of Switzerland's Basel Ballet. This clip of their ribbon pas de deux from Basel Ballet's 1986 film is as lighthearted and charming as it is technically brilliant.


Kozlova makes a dazzling peasant girl in a sunny yellow dress that matches her golden hair. Her supple, arched feet and gracious port de bras accentuate her beautiful lines. Jensen sweeps and swirls her all across the stage. True to their characters, the couple dances together with the ease and abandon of young love-birds, like at 1:19 when Kozlova bounds into Jensen's arms as he dips and swings her around in a cradle lift. As they frolic with their ribbon, tossing and catching it mid-leap, they keep perfect synchronization. Their lively jumps and flitting pirouettes give us the urge to join in their merriment. We're almost as miffed as they are when Lise's mother, the Widow Simone, arrives to shoo Colas away and make Lise return to her chores! Happy #TBT!

News
Erin Baiano, Courtesy Vail Dance Festival

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Ballet Training
From left: Duncan McIlwaine and Joseph Markey rehearse a new work by Gemma Bond. Rachel Papo.

The members of ABT Studio Company straddle two worlds: student and professional. On a March afternoon, as the dancers rehearse for a work choreographed by ABT dancer Gemma Bond, they appear more the former: Clean academic leotards and tights reveal coltish legs. But as soon as they launch into the piece (which later had its New York City debut at The Joyce Theater), it's evident how close these dancers are to a professional rank. Their movements and expressiveness grow bolder with each entrance. Soon they're sliding to the ground in floorwork and swirling confidently in daring lifts. "This group is particularly brilliant to work with," says Bond. "Each dancer seems to have something interesting in the way that they move, which made the creation process a little more of a collaboration than some of my other works."

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Ballet Training
Karin Ellis-Wentz and Joffrey Ballet Academy of Dance student Elliana Teuscher. Courtesy The Joffrey Ballet.

"Hopping on pointe is a bit of a weird feeling," says Karin Ellis-Wentz, head of pre-professional programs at the Joffrey Academy of Dance in Chicago. But, she adds, it's a skill advanced dancers need "because it's in so many variations." Here, she takes us through the techniques and exercises that help her students master this necessary trick.

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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