This week (Feb 28-Mar. 2), English National Ballet brings Akram Khan's widely acclaimed Giselle to Chicago's Harris Theater, the company's first U.S. appearance in 30 years. Commissioned by ENB artistic director Tamara Rojo, Khan, whose work combines contemporary dance and Indian kathak, takes a revisionist approach to the classic story, replacing peasants and aristocrats with migrant factory workers and wealthy landlords. The ballet's look and sound have also been reinterpreted, with music by Vincenzo Lamagna (adapted from Adolphe Adam's original score), sets and costumes by Academy Award-winner Tim Yip and lighting design by Tony-award winner Mark Henderson.
Pointe spoke with Rojo to learn more about why she wanted to modernize one of ballet's best-loved classics—and why the risk was worth it.