Carefree and confident, New York City Ballet's Tiler Peck lights up the stage in “Fascinatin' Rhythm," one of the principal solos in Balanchine's Who Cares? “It's one of my favorites," she says. “Every time I perform it, I feel like I'm doing it for the first time." Choreographed for Patricia McBride in 1970, “Fascinatin' Rhythm" requires impeccable technique and serious musicality to show off George Gershwin's jazzy rhythms. Here, Peck shares how she makes the solo such a showstopper.
“Musicality is number one," says Peck. “It's the driving force behind the whole variation." She recommends finding moments of stillness to contrast faster movements. In the first section, Peck sustains her piqué coupé to plié, “because it makes the hitch-kick afterward seem that much more surprising." Before the slow sultry section, she pauses before slinking into another pose. “You can be still in the midst of the crazy-fast solo and show another facet of your dancing."