News
Ochoa in the studio with former BalletX dancer Daniel Mayo. Bill Hebert, Courtesy BalletX.

The Little Prince is one of the world's most beloved books, and one every child reads in Annabelle Lopez Ochoa's native Belgium. So when BalletX director Christine Cox hired Ochoa to make a new full-length ballet, the Netherlands-based choreographer immediately thought of Antoine de Saint-Exupéry's classic tale.

Featuring designs by Danielle Truss and Matt Saunders and music composed and performed live by Peter Salem, BalletX will premiere The Little Prince July 10–21 at Philadelphia's Wilma Theater. Pointe spoke to Ochoa about why children and adults alike will appreciate this new work.

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Maya Pineiro and Arián Molina Soca preview a scene from Don Quixote. Photo by Alexander Izilaev, Courtesy Pennsylvania Ballet.

When Pennsylvania Ballet premieres artistic director Angel Corella's Don Quixote on March 3 at Philadelphia's Academy of Music, it will be the company's first time performing the audience favorite. With his artistic tenure well underway, and his own experiences to draw from, Corella's vision is clear.

According to Corella, PAB's production is all about authenticity—something he strived for during his own iconic interpretations of the role of Basilio. He plans to keep the classic Petipa choreography but refine the characters, including the gypsies in Act II. “I want to make people's reactions real," he says, “instead of, 'Oh, hi, let's dance together.' "

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