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Photo by @FullOutCreative

Last night at Parsons Dance's 2019 gala, the company celebrated one of our own: DanceMedia owner Frederic M. Seegal.

In a speech, artistic director David Parsons said that he wanted to honor Seegal for the way he devotes his energy to supporting premier art organizations, "making sure that the arts are part of who we are," he said.

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Gabriel Figueredo via Instagram @biel_figueredo

Youth America Grand Prix, the world's largest student ballet competition, is coming up on the end of its 20th-anniversary season. As aspiring pre-professionals gear up for this year's New York Finals, we're taking a look at a handful of YAGP participants who are already generating major buzz.

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An Orlando Ballet audition. Photo by Fellipe Buccianti, Launchpad Photo, Courtesy Orlando Ballet

Dear Editor,

There has been much discussion lately about the practice of professional arts organizations charging fees for performers to audition. Sara Bibik's letter to Dance Magazine brought that conversation to the forefront of the dance community and gave me—and hopefully many others—an opportunity to revisit and reflect on something that's commonplace in our industry.

After careful review, Orlando Ballet recently made the decision to stop this practice. We will no longer charge dancers to audition for the professional company. These changes were effective immediately, and Orlando Ballet is in the process of refunding the audition fees for our most recent Atlanta and Orlando auditions.

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Katherine Barkman with Rolando Sarabia in the Black Swan pas de deux at The Washington Ballet. Photo by Mena Brunette of XMB Photography, Courtesy The Washington Ballet

Katherine Barkman's career reads like a storybook: At 18, she left Pennsylvania and moved to the Philippines to become a principal at Ballet Manila. She danced Juliet, Giselle, Odette/Odile and Kitri, but three years in, it was time for new challenges. Late last year, Barkman joined The Washington Ballet, bringing her scintillating, pure Vaganova technique and her warm stage persona to U.S. audiences.

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Rachel Neville

Don't let her sizeable Instagram following or willingness to speak publicity about living with anxiety, depression and autism give you the wrong idea. "My speaking out about it does not mean it's easy or fun," says dancer Sydney Magruder Washington. "It means I'm not ashamed and you shouldn't be either."

And though (thankfully) open conversations about mental health are becoming more common in the dance world, there's still a long way to go. We picked Washington's brain about what it's like to live with mental illness as a dancer, the survival tips she's learned and what the dance world still doesn't seem to understand about mental health:

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Photos via Polunin's Instagram

If you follow Sergei Polunin on Instagram, you've probably noticed that lately something has been...off.

Though Polunin has long had a reputation for behaving inappropriately, in the last month his posts have been somewhat unhinged. In one, Polunin, who is Ukrainian, shows off his new tattoo of Vladimir Putin:

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Thoughts on gender have evolved since Louis XIV's era. Maybe it's time training evolves too. Photo by Matthew Murphy for Pointe.

Next semester, there'll be a new course name on the syllabus of Boston Conservatory at Berklee: "Constructed Gender Identities in Classical Ballet: Men's Variations."

But this is not a new course, just a new title. The old name is one you might recognize: "Men's Class."

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Photo credits, clockwise from bottom left: Peter Mueller, Courtesy Cincinnati Ballet; Jayme Thornton; Jochen Viehoff, Courtesy Stephanie Troyak; Karolina Kuras, Courtesy National Ballet of Canada; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Kim Kenney, Courtesy Atlanta Ballet; Jim Lafferty; Arian Molina Soca, Courtesy Pennsylvania Ballet; Altin Kaftira, Courtesy Dutch National Ballet; Scott Shaw, Courtesy Shamar Wayne Watt

What's next for the dance world? Our annual list of the dancers, choreographers and companies that are on the verge of skyrocketing has a pretty excellent track record of answering that question.

Here they are: the 25 up-and-coming artists we believe represent the future of our field.

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