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During one of Charlotte Nash's first few weeks with Houston Ballet II, she was thrown into a run-through of Balanchine's Theme and Variations. "I had never really understudied before and I didn't know what I was doing," she says. "I fell right away and was quickly replaced." For Nash, now a dancer with Festival Ballet Providence, the episode was a tough lesson. "I was mortified, but then I said to myself, 'Okay, I need to figure out how to learn things more quickly.'"

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News
American Ballet Theatre corps member José Sebastian (center) is launching the Hamptons Dance Project with a cast of fellow ABT dancers this August. Rochelle Brodin, Courtesy Hamptons Dance Project.

From coast to coast, and on the shores of Lake Michigan in-between, professional dancers and choreographers are going one step beyond putting together a summer pickup company. Some are now curating multi-evening festivals in their hometowns and beloved vacation areas, and featuring an impressive range of companies, dancers and dance styles. So get ready to plan your next trip—here are three dance fests in beautiful resort areas to keep on your radar.

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Former Richmond Ballet dancer Shira Lanyi went through high school without getting her period. "My two older sisters had gotten theirs at 11, so my mom was so worried," says Lanyi, who didn't start her menstrual cycle until she was 26. At the time, Lanyi found her delayed puberty to be convenient. "To be honest, I was thankful because I was flat-chested, and that was great for dance."

But in fact, it's not okay for puberty and the things it brings (like your period) to be put on hold. The process is dictated by hormones that affect both your body and mind. While these hormones may be vilified for increasing the curves of your body and altering your moods, they make it possible for you to build up adequate bone mass and eventually bear children.

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Ballet Stars
Melika Dez, Courtesy LINES Ballet

No matter where her career has taken her, Ashley Mayeux has never strayed too far from her first love, ballet. Even while dancing for Alvin Ailey American Dance Theater, Mayeux would try to fit in ballet class as often as possible. After two seasons with the modern company, she decided to audition for Alonzo King LINES Ballet, despite not feeling entirely prepared. "Somehow it came back to me and was pretty natural," says Mayeux. Natural enough that she landed the job and, in 2018, moved across the country to restart her contemporary ballet career.

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Ballet Training
Summer intensive students in contemporary class at Arts Umbrella. Photo by Michael Slobodian, Courtesy Arts Umbrella.

Before attending the Alonzo King LINES Ballet summer program at age 18, Maya Harr did not have much experience with improvisation. In fact, she was such an introverted bunhead that even the word seemed scary. "The teacher came into the studio, turned off the lights, put on music and told us to dance," says Harr, now a LINES company member. "We didn't stop moving for 45 minutes, and I was grateful for the freedom I've found."

You might feel obligated to spend your summer honing your technique at a classical ballet program. Yet as ballet companies open their repertoires to more contemporary works from choreographers like Aszure Barton, Kyle Abraham, Crystal Pite and Nicolo Fonte, you may want to consider opening yourself up to contemporary styles and the outside-the-box thinking that underlies them. "This work is necessary for the future of ballet," says Dwight Rhoden, artistic director of Complexions Contemporary Ballet and its affiliated summer intensive.

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Lia Cirio and John Lam perform Tar and Feathers with Boston Ballet. Photo by Rosalie O'Connor, Courtesy Boston Ballet.

A few years ago, Boston Ballet principal Lia Cirio was tasked with performing a contemporary program one week and dancing in The Sleeping Beauty the next. "We were doing Jiˇrí Kylián's Tar and Feathers, which had me sliding around in socks," says Cirio. "The day after the premiere, I had to run my Aurora variation. I needed my technique to be stable, for both my brain and body."

Being in a ballet company doesn't mean you will always be dancing entire evenings, let alone rehearsal days, in pointe shoes. With today's preference for more eclectic mixed bills, a dancer might need to shift from pointe shoes to socks, slippers or even heels. Yet moving between footwear can be tricky—you can easily get injured if you are not prepared for the differences in sensation and shifts in balance. But when you're frequently asked to switch footwear, what's your body, much less your feet, to do?

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Ballet Stars
Bouder in Lauren Lovette's "Red Spotted Purple." Photo by Bret Shuford, Courtesy Lake Tahoe Dance Festival.

Last week, Ashley Bouder joined an all-star cast of performers at the 5th annual Lake Tahoe Dance Festival. Co-directors Christin Hanna and Constantine Baecher curated a dramatic evening that included a world premiere by Marco Pelle, iconic masterworks by Lester Horton and Paul Taylor, contemporary favorites by Baecher and Robert Moses, and the California premiere of Red Spotted Purple—a solo for Bouder choreographed by her New York City Ballet colleague, Lauren Lovette.

Named after a butterfly, Red Spotted Purple was made for The Ashley Bouder Project's most recent season at the Joyce Theater's Ballet Festival. Lovette's playful and free-spirited solo seemed ripe for an outdoor performance, especially against Tahoe City's gorgeous landscape of pine trees and its blue lake. Featuring both a commissioned score by Stephanie Ann Boyd and a gorgeous dress designed by Michelle Smith of MILLY, the solo dance was in line with Bouder's mission to promote more diversity in ballet's creative process. I caught the performance in Tahoe City and chatted with the two women via email about the experience of making this dance.

How did this commission come about?

Ashley Bouder: I was brainstorming female choreographers that I'd want to create a solo for me. I thought, who better than a colleague that grew up watching me dance? There isn't a female choreographer out there that knows my dancing better, or my personality on and off stage. I think Lauren is brilliant, and after having seen her two pieces for NYCB, I felt that she could make something special with a clear point of view and message. I wanted the solo to open the [Joyce] program and I just knew she could make a statement piece to fit.

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Ballet Careers
Miranda Silveira was a member of San Francisco Ballet's Trainee Program before making her way into the company. Here she's pictured in rehearsal for Balanchine's Serenade. Photo by Erik Tomasson, Courtesy SFB.

Receiving a second company or trainee contract can help bridge the gap from student to professional. Whether you make it into the main company afterwards or move on to another one, these years, if danced to the fullest, can be valuable to your life and career.

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