The Dying Swan, choreographed by Michel Fokine for Anna Pavlova, is a short but powerful solo often reserved for the most revered ballerinas. Mariinsky Ballet principal Uliana Lopatkina shares the thought process behind her iconic interpretation.
Although The Dying Swan is a very short piece, it has tremendous depth because both the audience and dancer are facing the question of life and death. Often we don't want to think about that—we want to live forever here on earth. This miniature has special meaning for me, as it helps me overcome the fear of death; it invites us to imagine that moment of transformation into the following life, which lasts eternally. It's very scary to die, but it is just a moment that you need to go through.