James Whiteside and Misty Copeland in AfterEffect, Photo by Rosalie O'Connor, Courtesy ABT

Tonight at ABT: Marcelo Gomes' World Premiere

As a dancer, Marcelo Gomes has it all—a magnetic stage presence, impeccable musicality, technique for days and world-renowned partnering skills. But the American Ballet Theatre star has also been gaining ground as a choreographer lately, creating works for Complexions Contemporary Ballet, galas and festivals. (He also choreographed Misty Copeland's famous Under Amour ad.) Tonight marks a major milestone in his choreographic career: His first full ballet for ABT, AfterEffect, has its world premiere at the David H. Koch Theater in New York.

Gomes, who was just announced a 2015 Dance Magazine Award winner, has created short works for ABT galas in the past, including the first movement of AfterEffect in 2013. This expanded version, set to Tchaikovsky's Souvenir de Florence, includes a whopping 26 dancers and stars James Whiteside and Copeland (who has been something of a collaborator and muse for Gomes over the years). Fast-rising soloist Cassandra Trenary will perform the lead with Cory Stearns on Saturday afternoon. (You may have caught a glimpse of rehearsals during the World Ballet Day live-stream earlier this month.)

Gomes' new choreographic opportunity is a positive step for ABT, which has received criticism in the past for relying too heavily on guest stars and not developing its own dancers. With the recent promotion of Copeland and Stella Abrera, a talented roster of homegrown soloists and a 2016 Met season conspicuously light on guest artists, it looks like the company is making a serious effort to cultivate more from within.

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2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

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Dara Holmes, Joffrey Ballet

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Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

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Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

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Leah McFadden, Colorado Ballet

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Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

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Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

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Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

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India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

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Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

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Alejándro Gonzales, Oklahoma City Ballet

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Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

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Courtesy Carrie Gaerte, modeled by 2020 Butler University graduate Michela Semenza

Concussions Are More Than a Bump on the Head. Here's What Dancers Need to Know

Your partner accidentally drops you during a lift. You collide head-on with another dancer in rehearsal. Or you're hit in the face while you're spotting a turn. Even if you didn't lose consciousness, you may have a concussion, which can occur from a direct blow to the head or rotary force of the brain moving excessively or striking the skull.

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Gone are the days when you had to skip college in order to have a successful ballet career. College ballet programs are better than ever before, providing students with the training, professional connections and performance experience they need to thrive in companies postgraduation. But given the number of elements involved in the application process, choosing the right program can feel daunting. We've broken the college application timeline down step by step to help you best approach each stage along the way.

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