Ballet Stars

Ballet’s “It” Couple: Behind the Scenes With Tiler Peck and Robert Fairchild

Walking to work in the morning with Peck's maltipoo, Cali, and Fairchild's toy Australian shepherd, Griz. Kyle Froman.

Growing up together, first as students at the School of American Ballet and then as young dancers on the rise at New York City Ballet, Tiler Peck and Robert Fairchild dated off and on. With their lives on the same track for nearly a decade, it's no wonder they felt a special bond. Their relationship became serious several years ago. “I feel so lucky to have Tiler in the same industry," says Fairchild. “We understand the struggles and the achievements that come along with this career, and it's so meaningful to share those moments with someone who truly gets it." The couple, who live in a one-bedroom apartment five blocks from the theater, married in June at the end of NYCB's spring season. A few weeks before, Pointe followed them through a typical day.


Photography by Kyle Froman

Peck and Fairchild having egg sandwiches for breakfast before leaving for the theater. The dogs always get healthy treats. "They're called Greenies," says Fairchild. "The dogs are obsessed with them."

Peck with Cali before class.

"You have to be strong, but letting your partner lead is where the freedom comes from," says Peck, pictured here in rehearsal for Richard Tanner's Sonatas and Interludes with Amar Ramasar.

Fairchild rehearsing Year of the Rabbit. "I think it's normal to have pre-performance jitters," he says. "I've always told myself the show is going to go on matter what I do, so I might as well enjoy it."

Warming up backstage before a show. "You never hear her shoes when she dances," says Fairchild. "She bangs them against he wall harder than I can."

"We always wish each other luck before going on," says Fairchild. "And I never go onstage without having an Altoid."

Peck running through choreographer Justin Peck's Year of the Rabbit.

Ballet Careers
Lenai Alexis Wilkerson. Christopher Duggan, Courtesy Michelle Tabnick Public Relations.

This is one of a series of stories on recent graduates' on-campus experiences—and the connections they made that jump-started their dance careers. Lenai Alexis Wilkerson graduated from University of Southern California with a BFA in dance (dance performance concentration) and a political science minor in 2019.

As Lenai Alexis Wilkerson looked at colleges, she wanted a school that would prepare her for two totally different professions: dancing and law. "I knew, pretty much when I was 16, that I wanted to go to law school," she says. "So I wanted the opportunity to have a dual college experience, where I could have a conservatory training style within a university and I could focus equally on my academics." When she auditioned for the inaugural class of University of Southern California's Glorya Kaufman School of Dance, she knew it was the right fit.

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Sponsored by Ballet Arizona
Tzu Chia Huang, Courtesy Ballet Arizona

These days, ballet dancers are asked to do more than they ever have—whether that's tackling versatile rep, taking on intense cross-training regimens or managing everything from their Instagram pages to their summer layoff gigs.

Without proper training, these demands can take a toll on both the mind and the body. But students can start preparing for them early—with the right summer intensive program.

The School of Ballet Arizona's summer intensive takes a well-rounded approach to training—not just focusing on technique and facility but nurturing overall dancer growth. "You cannot make a dancer just by screaming at them like they used to," says master ballet teacher Roberto Muñoz, who guests at the program every summer. "You have to take care of the person as well."

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News
Nicolas Pelletier in Carmina Burana. Francisco Estevez, Courtesy Colorado Ballet.

Last week, Colorado Ballet interrupted Nutcracker rehearsals for an exciting announcement: Four dancers were being promoted. Though all made the jump from the company's corps de ballet, Nicolas Pelletier ascended directly to the rank of soloist, while Sean Omandam, Emily Speed and Melissa Zoebisch were promoted to demi-soloist. This news comes hot on the heels of last August's promotion of Francisco Estevez to principal.

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Courtesy School of Pennsylvania Ballet

While many of us are deep in Nutcracker duties, The School of Pennsylvania Ballet director James Payne has been looking further ahead, finalizing preparations for the school's summer intensive programs. In January, he and his staff will embark on a 24-city audition tour to scour the country for the best young dancers, deciding whether or not to offer them a spot—maybe even a scholarship—in the school's rigorous 5-week intensive focused on high-caliber ballet instruction. Though he'll be evaluating aspirants, he urges that as a student, you should be equally selective in choosing programs that could galvanize your training—and possibly even your career.

We got Payne's advice on strategizing your summer intensive plan before the audition cycle kicks in:

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