Artistic directors who hire straight from cattle calls are becoming an increasingly rare breed. Today, networking and building connections before the audition have become the far more common routes to a job. But how do you do that successfully? Our sister publication Dance Magazine has a great story this month with advice from five directors on how dancers can take charge. Dwight Rhoden, co-artistic director of Complexions Contemporary Ballet tells writer Elena Hecht, "I like proactive dancers, people who go for what they want. I prefer them to be really frank, just kind of blunt...I like to know exactly how they feel."
Nov. 29, 2001 07:00PM EST