The State of Oregon Ballet Theatre

After the abrupt departure of artistic director Christopher Stowell last month, the fate of Oregon Ballet Theatre seemed up in the air. But the picture's looking brighter already. Anne Mueller, who was the company's star dancer until her retirement in 2011, has taken over as interim artistic director through the end of the 2013 season. Over the past year, she's worked as OBT's director of artistic operations, splitting her time between setting repertoire and working in a behind the scenes capacity on production, budgeting and communications, a position that's likely to have helped prepare her for the pressing tasks ahead. Meanwhile, OBT has set up a search committee to find the company's next artistic and executive directors; the team includes OBT dancers, trustees, community leaders and local dance directors such as BodyVox's Jamey Hampton. For more, see OBT.org.

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Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

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#TBT: Mikhail Baryshnikov in "Fancy Free" (1981)

In Jerome Robbins's 1944 ballet Fancy Free, three sailors on leave spend the day at a bar, attempting to woo two young women by out-dancing and out-charming one another. In this clip from 1981, Mikhail Baryshnikov, who was then both the artistic director of American Ballet Theatre and a leading performer with the company, pulls out all the stops to win the ladies' affections.

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Bethany Kirby, Courtesy Tulsa Ballet

An Infectious-Disease Physician on What Vaccines Mean for Ballet

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But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

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