Photo by Tzu Chia Huang

Audition for the Summer Intensive Students Say Goes 'Above and Beyond'

Register to audition for the chance to experience the ultimate setting for professional dance training. Experience professionalism, be the priority, and see the progression in just 6 weeks! Ballet Arizona's Summer Intensive begins June 10 and classes are held through July 19, 2019. The program culminates with a final full-length performance in the Dorrance Theatre. The School of Ballet Arizona is known for its outstanding, internationally-renowned faculty, a state-of-the-art facility which includes a 299-seat black box performance theatre, and small classes with personal attention, all accompanied with a challenging and complex curriculum.

Photo by Tzu Chia Huang


Students might also have the opportunity to be selected as Ballet Arizona's Studio Company members in the upcoming season. Studio Company auditions are held during the 2019 Summer Intensive program. Ballet Arizona's Studio Company is an opportunity for students of the highest rank with the potential and desire to become professional dancers to gain professional experience by training with The School of Ballet Arizona's School Director as well as Ballet Arizona's internationally-acclaimed Artistic Director Ib Andersen. An indispensable and important part of their training is understudying and appearing regularly on stage alongside the professional Company of Ballet Arizona in addition to productions exclusively for the Studio Company.

Photo by Tzu Chia Huang

"I am grateful for the School of Ballet Arizona's commitment to training dancers. I came to the school three years ago with high expectations. Ballet Arizona's exceptional faculty challenged me and helped me grow as an artist. The expansive studios also create a professional environment and the close association with Ballet Arizona's company is a benefit and inspiration to aspiring dancers. The School of Ballet Arizona went above and beyond my expectations!"

-Annika Erickson, Current Ballet Arizona Company Member

The School of Ballet Arizona Summer Intensive 2019 www.youtube.com

Related Articles From Your Site
Related Articles Around the Web

Latest Posts


Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

Keep reading SHOW LESS

#TBT: Mikhail Baryshnikov in "Fancy Free" (1981)

In Jerome Robbins's 1944 ballet Fancy Free, three sailors on leave spend the day at a bar, attempting to woo two young women by out-dancing and out-charming one another. In this clip from 1981, Mikhail Baryshnikov, who was then both the artistic director of American Ballet Theatre and a leading performer with the company, pulls out all the stops to win the ladies' affections.

Keep reading SHOW LESS
Bethany Kirby, Courtesy Tulsa Ballet

An Infectious-Disease Physician on What Vaccines Mean for Ballet

As the coronavirus pandemic grinds into its second year, the toll on ballet companies—and dancers—has been steep. How long before dancers can rehearse and perform as they once did?

Like most things, the return to normal for ballet seems to hinge on vaccinations. Just over 22 percent of people in the U.S. are now vaccinated, a way from the estimated 70 to 85 percent experts believe can bring back something similar to pre-pandemic life.

But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

"I don't think companies like ours can survive doing work for eight dancers in masks," Angelini says. "If we want to work, dance, and be in front of an audience consistently and with the large works that pay the bills, immunization is the only road that leads there."

Keep reading SHOW LESS

Editors' Picks