The Royal Ballet's Sarah Lamb and Steven McRae in Mayerling. Alice Pennefather, Courtesy The Music Center.

Onstage This Week: The Royal Ballet in LA, ABT's Met Season Comes to a Close, and More!

Wonder what's going on in ballet this week? We've rounded up some highlights.


The Royal Ballet Brings "Mayerling" to Los Angeles 

The Royal Ballet heads to Los Angeles for two weeks of performances at The Music Center this summer. From July 5–7, the company presents Sir Kenneth MacMillan's Mayerling, based on the true story of the 1889 deaths of Crown Prince Rudolf and his teenage mistress. July 12–13, the company joins forces with choreographer Wayne McGregor and composer-conductor Thomas Adès for Adès & McGregor: A Dance Collaboration. For this landmark production of music and dance world premieres, The Royal Ballet is joined by Company Wayne McGregor and the L.A. Phil.

ABT's Final Week of the Season Features "The Sleeping Beauty"

The eighth and final week of American Ballet Theatre's spring Met season is finally here. July 1-6 the company presents Alexei Ratmansky's lavish 2015 reconstruction of The Sleeping Beauty. This week's run features a few exciting debuts: ABT ballet master Keith Roberts will have his turn as Carabosse, Katherine Williams and Catherine Hurlin will dance Princess Florine, Joo Won Ahn takes on Bluebird and Aran Bell will perform Prince Désiré.

SFB Takes on Ballet Sun Valley

Summer dance festival season is officially underway. San Francisco Ballet makes its way to Idaho's Ballet Sun Valley on July 5 and 7 with two separate programs. The first is a gala style evening featuring artistic director Helgi Tomasson's The Fifth Season and six other short ballets and excerpts. On July 7, the company presents three ballets from its 2018 Unbound Festival of New Works: Stanton Welch's Bespoke, Trey McIntyre's Your Flesh Shall Be a Great Poem and Justin Peck's Hurry Up, We're Dreaming.

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Jayme Thornton

Roman Mejia Is Carving His Own Path at New York City Ballet

In a brightly lit studio high above the busy Manhattan streets, Roman Mejia rehearses George Balanchine's Allegro Brillante. Though just 20, the New York City Ballet corps dancer exudes an easy confidence. Practicing a tricky sequence of triple pirouettes into double tours his breathing becomes labored, but his focus doesn't waver. He works until he finds the music's inherent rhythm, timing his turns evenly and finally landing them with a satisfied smile.

Since joining NYCB in 2017, Mejia has had the chance to take on ballets ranging from Romeo + Juliet to Fancy Free to Kyle Abraham's hip-hop–infused The Runaway. Though he often finds himself the youngest person in the room, Mejia is rarely intimidated. He's been immersed in ballet since birth. His father, Paul Mejia, danced with NYCB in the 1960s, and his mother, Maria Terezia Balogh, danced for Chicago City Ballet and Fort Worth-Dallas Ballet. Both of Mejia's parents and his grandmother attended the School of American Ballet. Now, Mejia is quickly building on his family's legacy, creating buzz with his shot-from-a-cannon energy, rapid-fire footwork and charismatic charm.

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A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Tulsa Ballet in Ma Cong's Tchaikovsky: The Man Behind the Music. Kate Luber Photography, Courtesy Tulsa Ballet.

Mark Your Calendars for These Online Ballet Performances

As COVID-19 has forced ballet companies around the world to cancel performances—and even the remainder of their seasons—many are keeping their audiences engaged by streaming or posting pre-recorded performances onto their websites or social media channels. To help keep you inspired during these challenging times, we've put together a list of upcoming streaming events and digital performances.

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