Major ballet companies are banding together for The Equity Project, to increase the presence of black dancers in ballet. Photo by Joseph Rodman, Courtesy DTH.

These 21 Organizations Are Banding Together to Increase the Presence of Black Dancers in Ballet

Twenty-one ballet organizations have come together to support the advancement of racial equity in professional ballet. They're all part of The Equity Project: Increasing the Presence of Blacks in Ballet, a new effort being led by Dance Theatre of Harlem, The International Association of Blacks in Dance and Dance/USA.


Continuing What Arthur Mitchell Started

While representatives from each organization first met during the summer at Dance/USA's Los Angeles conference, news of The Equity Project remained quiet until a formal announcement in late September. The news comes at an especially poignant time, shortly after the death of Arthur Mitchell, DTH co-founder and trailblazer for black ballet dancers.

In a press release for The Equity Project, current DTH artistic director Virginia Johnson remarked that "...Arthur Mitchell created Dance Theatre of Harlem 50 years ago with the intention of dispelling the myth that black people did not have the ability to succeed in the art form of classical ballet. In the years since its founding, Dance Theatre of Harlem has become a beacon of opportunity for black dancers to not only succeed in classical ballet, but to excel." Now, The Equity Project gives ballet companies across the country the chance to continue the "work that Mr. Mitchell began in 1968," said Johnson.

Who's Involved

Photo courtesy The International Association of Blacks in Dance.

The participating cohort organizations are 20 major ballet companies and one school: American Ballet Theatre, Atlanta Ballet, Ballet Austin, Ballet Memphis, Boston Ballet, Charlotte Ballet, Cincinnati Ballet, Dance Theatre of Harlem, Miami City Ballet, Nashville Ballet, National Ballet of Canada, New York City Ballet, Oregon Ballet Theatre, Pacific Northwest Ballet, Pennsylvania Ballet, Pittsburgh Ballet Theatre, Richmond Ballet, San Francisco Ballet, School of American Ballet, Texas Ballet Theater and The Joffrey Ballet.

Artistic and executive staff from each company will gather for a second meeting at IABD's conference and festival in Dayton, Ohio, this January, and the last meeting will be hosted by DTH in Harlem, New York during 2020.

Experts on Board

The Equity Project seems to differ from American Ballet Theatre's Project Plié initiative, which launched in 2013 as an outreach program to train students, teachers and arts administrators from diverse racial and ethnic backgrounds. (However, a handful of The Equity Project's cohorts are also partner companies in Project Plié.)

The Equity Project has established a unique consulting team to coach and educate ballet companies about topics like undoing racism, the intersection of history and ballet, discussing systems of power and privilege, and determining concrete ways companies can change.

The consulting team includes frequent Dance Magazine contributor and founder of MoBBallet (Memoirs of Blacks in Ballet) Theresa Ruth Howard, as well as Tammy Bormann, principal with The TLB Collective; Joselli Audain Deans, EdD, dancer, educator and independent dance scholar; and P. Kimberleigh Jordan, PhD, educator, former dancer, and assistant professor at Drew University.

We're excited to see the positive changes initiated by The Equity Project. Hopefully this means that the ballet world will someday more closely mirror the diverse world in which we live.

Latest Posts


Courtesy ABC

Dance Theatre of Harlem’s Alicia Mae Holloway Talks About Her Time on ABC's “The Bachelor”

Bunheads tuning in to the season premiere of ABC's "The Bachelor" on January 4 may have recognized a familiar face: Dance Theatre of Harlem's Alicia Mae Holloway, literally bourréeing out of a limousine to greet bachelor Matt James. While Holloway unfortunately didn't get a rose that night, she did thoroughly enjoy being the long-running reality franchise's first professional-ballerina contestant, as she told Pointe in a recent Zoom call.

Keep reading SHOW LESS

#TBT: Carla Fracci and Stephen Jefferies in "La Esmeralda" (1987)

Carla Fracci, a former principal dancer of La Scala Ballet in Milan, is among the rare class of ballerinas who continued to perform into her 50s and beyond. Romantic ballets were her calling card throughout her career. In 1987, when Fracci was 51, she was featured in a television special, dancing reconstructed 19th-century ballets in the style of historical ballerinas. In this clip of La Esmeralda from the program, Fracci and her partner Stephen Jefferies, a former principal at The Royal Ballet, deliver an extraordinary performance, capturing the verve and spirit of their characters.

Keep reading SHOW LESS
Getty Images

Ask Amy: How Can I Make the Most of Performance Opportunities in a Pandemic?

My school is connected to a professional company that operates on a show-to-show basis. Students can audition for company performances when they're 15. My 15th birthday is in February, and I think that our directors are choosing people to participate in virtual performances based off of whether they have performed with the company before. This was supposed to be my big first year with the company, but COVID-19 has changed that. How do I make it known that I want to participate? Do you think I should wait until things are more normal? —Lila
Keep reading SHOW LESS

Editors' Picks