Major ballet companies are banding together for The Equity Project, to increase the presence of black dancers in ballet. Photo by Joseph Rodman, Courtesy DTH.

These 21 Organizations Are Banding Together to Increase the Presence of Black Dancers in Ballet

Twenty-one ballet organizations have come together to support the advancement of racial equity in professional ballet. They're all part of The Equity Project: Increasing the Presence of Blacks in Ballet, a new effort being led by Dance Theatre of Harlem, The International Association of Blacks in Dance and Dance/USA.


Continuing What Arthur Mitchell Started

While representatives from each organization first met during the summer at Dance/USA's Los Angeles conference, news of The Equity Project remained quiet until a formal announcement in late September. The news comes at an especially poignant time, shortly after the death of Arthur Mitchell, DTH co-founder and trailblazer for black ballet dancers.

In a press release for The Equity Project, current DTH artistic director Virginia Johnson remarked that "...Arthur Mitchell created Dance Theatre of Harlem 50 years ago with the intention of dispelling the myth that black people did not have the ability to succeed in the art form of classical ballet. In the years since its founding, Dance Theatre of Harlem has become a beacon of opportunity for black dancers to not only succeed in classical ballet, but to excel." Now, The Equity Project gives ballet companies across the country the chance to continue the "work that Mr. Mitchell began in 1968," said Johnson.

Who's Involved

Photo courtesy The International Association of Blacks in Dance.

The participating cohort organizations are 20 major ballet companies and one school: American Ballet Theatre, Atlanta Ballet, Ballet Austin, Ballet Memphis, Boston Ballet, Charlotte Ballet, Cincinnati Ballet, Dance Theatre of Harlem, Miami City Ballet, Nashville Ballet, National Ballet of Canada, New York City Ballet, Oregon Ballet Theatre, Pacific Northwest Ballet, Pennsylvania Ballet, Pittsburgh Ballet Theatre, Richmond Ballet, San Francisco Ballet, School of American Ballet, Texas Ballet Theater and The Joffrey Ballet.

Artistic and executive staff from each company will gather for a second meeting at IABD's conference and festival in Dayton, Ohio, this January, and the last meeting will be hosted by DTH in Harlem, New York during 2020.

Experts on Board

The Equity Project seems to differ from American Ballet Theatre's Project Plié initiative, which launched in 2013 as an outreach program to train students, teachers and arts administrators from diverse racial and ethnic backgrounds. (However, a handful of The Equity Project's cohorts are also partner companies in Project Plié.)

The Equity Project has established a unique consulting team to coach and educate ballet companies about topics like undoing racism, the intersection of history and ballet, discussing systems of power and privilege, and determining concrete ways companies can change.

The consulting team includes frequent Dance Magazine contributor and founder of MoBBallet (Memoirs of Blacks in Ballet) Theresa Ruth Howard, as well as Tammy Bormann, principal with The TLB Collective; Joselli Audain Deans, EdD, dancer, educator and independent dance scholar; and P. Kimberleigh Jordan, PhD, educator, former dancer, and assistant professor at Drew University.

We're excited to see the positive changes initiated by The Equity Project. Hopefully this means that the ballet world will someday more closely mirror the diverse world in which we live.

Latest Posts


Jayme Thornton

Roman Mejia Is Carving His Own Path at New York City Ballet

In a brightly lit studio high above the busy Manhattan streets, Roman Mejia rehearses George Balanchine's Allegro Brillante. Though just 20, the New York City Ballet corps dancer exudes an easy confidence. Practicing a tricky sequence of triple pirouettes into double tours his breathing becomes labored, but his focus doesn't waver. He works until he finds the music's inherent rhythm, timing his turns evenly and finally landing them with a satisfied smile.

Since joining NYCB in 2017, Mejia has had the chance to take on ballets ranging from Romeo + Juliet to Fancy Free to Kyle Abraham's hip-hop–infused The Runaway. Though he often finds himself the youngest person in the room, Mejia is rarely intimidated. He's been immersed in ballet since birth. His father, Paul Mejia, danced with NYCB in the 1960s, and his mother, Maria Terezia Balogh, danced for Chicago City Ballet and Fort Worth-Dallas Ballet. Both of Mejia's parents and his grandmother attended the School of American Ballet. Now, Mejia is quickly building on his family's legacy, creating buzz with his shot-from-a-cannon energy, rapid-fire footwork and charismatic charm.

Keep reading SHOW LESS
Getty Images

A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Bethany Kirby, Courtesy Tulsa Ballet

Ballet Company Costume Departments Jump Into Action, Sewing Masks for Coronavirus Aid

The novel coronavirus pandemic has forced ballet companies worldwide to cancel or postpone their seasons. But it's not just dancers and artistic staff that have found their work at a standstill. Costume departments, a vital component in bringing performances to life, have also hit pause. However, costume shops around the country, including Tulsa Ballet, Milwaukee Ballet and Miami City Ballet, have figured out a creative way to utilize their resources to give back to their communities during this challenging time. We touched base with Tulsa's team to find out what their experience has been like.

Keep reading SHOW LESS