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#TBT: Margot Fonteyn "The Sleeping Beauty"

Margot Fonteyn's name ranks among the greatest artists of the 20th century. In an era wrought with shifts in literature, philosophy and dance, she captured audiences through her dancing in seemingly tangible ways. Here, it all begins within the first few seconds of this footage of the “Rose Adagio" from 1959—we can't take our eyes off her.


Ballet dancers who have seen the “Rose Adagio" know the simplistic nature of the steps (the first few phrases consist of bourrées and port de bras). It's not until the famous promenades en attitude that the difficulty and control required for Aurora become clear (that oh-so simple spectacle makes us sweat). Nevertheless, Fonteyn treats each movement as a crucial component to Aurora's character. No step goes unattended—each is backed with passion and intent. Perhaps this is what makes her interpretation of The Sleeping Beauty the archetypal standard for ballet dancers today.

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Sponsored by Ellison Ballet
Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:

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Ballet Stars
Karina González in Ben Stevenson's Coppélia. Amitava Sarkar, Courtesy Houston Ballet.

Are you more of a Giselle or a Juliet?

I've always said that my favorite role is Juliet, because of her vulnerability and maturity throughout the ballet. But now that I've performed Giselle, I find her so incredibly enjoyable, from being a village girl who falls in love for the first time to the most tender, almost weightless dancing in Act II.

Are you more at home in the studio or onstage?

I love the time in the studio. The process of starting from zero to getting better each day is so rewarding. My favorite phrase in rehearsals is "Let's do it again, so I can sleep in peace tonight." I need to feel so comfortable in the studio so that when I am onstage there are no bad surprises.

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Dancers certainly don't need anyone to tell them how physical their profession is. But now, we have the data to prove it.

Researchers at InsuranceProviders.com analyzed data from the Occupational Information Network (O*NET), a national organization developed through support from the U.S. Department of Labor/Employment and Training Administration, to determine the 20 most physically demanding jobs in the country. They analyzed the level of strength, stamina, flexibility and coordination required for a host of jobs, and each category was assigned

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