#TBT: Tamara Rojo in “La Bayadère” (2009)

Tamara Rojo joined the elite, though thankfully growing, roster of female ballet company directors seven years ago when she took the helm at English National Ballet. Since then she's managed the even more uncommon feat of continuing to perform as a leading principal dancer for ENB while directing the company. Rojo began her remarkable career in her home country of Spain, but at 22 years old she left for the UK, dancing with Scottish National Ballet, ENB, and then The Royal Ballet, where she spent 12 years as a principal and earned international acclaim for her assured technique and passionate stage presence. Her performances, like this 2009 La Bayadère, show an artist truly in command of her craft.


As Nikiya in final scene in Act I, Rojo is mesmerizing and heartbreaking, going through a full gamut of emotions from wounded, to joyous, to utterly betrayed. She enters to discover that she must dance at the engagement celebration of her beloved Solor and the conniving Gamzatti (played by Carlos Acosta and Marianela Nuñez, whose superb acting in their small moments of mime are also a highlight.) The somber adagio that follows is a stunning display of Rojo's flexibility and control. At 2:30, her développé into penché is achingly slow, yet also smooth and suspended. Her pure movements reflect Nikiya's purity of heart, stirring up our compassion when she ultimately sacrifices herself. Happy #ThrowbackThursday!

Latest Posts


Pacific Northwest Ballet's Sarah-Gabrielle Ryan, photographed by Jayme Thornton for Pointe

The Radiant Sarah-Gabrielle Ryan: Why She's One to Watch at Pacific Northwest Ballet

Hollywood could make a movie about Sarah-Gabrielle Ryan's big break at Pacific Northwest Ballet.

It was November 2017, and the company was performing Crystal Pite's film-noir–inspired Plot Point, set to music by Bernard Hermann from Alfred Hitchcock's Psycho. Ryan, then a first-year corps member, originally was understudying the role of another dancer. But when principal Noelani Pantastico was injured in a car accident, Ryan was tapped to take over her role.

Keep reading SHOW LESS
Lauren Veyette corrects a student during class. Ariel Rose, Courtesy Veyette Virtual Ballet School.

COVID-19 Has Made It Easier to Train Outside Your Studio—but Should You?

Of all the unprecedented effects the COVID-19 pandemic has had on the dance world, perhaps the most unthinkable a year ago was the forced pivot to online training. With many studios mandated to close, we've outfitted our homes with barres and marley and harnessed technology to create more learning opportunities than ever before. And now, as some studios reopen for in-person classes (either fully or in hybrid form) and others remain online, it's easier to supplement your school's offerings by adding virtual master classes—or even going to another school for in-studio time. But while being able to take class from anyone, anywhere, offers great opportunities, there are pitfalls to jumping from teacher to teacher. It's important to balance out the pros and cons of creating your own "COVID curriculum."

Keep reading SHOW LESS
Daniil Simkin gives advice during his master class series. Courtesy Dance Masterclass.

In This Master Class Series, Stars Like Daniil Simkin Share Their Technique and Artistry Secrets

Have you ever wondered what Daniil Simkin thinks about when he whips off a series of effortless pirouettes? Or how Polina Semionova initiates her "swan arms" when she dances Odette/Odile? Both dancers are now part of a new streaming platform called Dance-Masterclass, which offers targeted lessons from the ballet world's biggest stars to dancers of all levels. Launched in February, the platform presents 10 to 12-plus gorgeously filmed lessons from a new master teacher each month, with options allowing for private feedback.

Keep reading SHOW LESS

Editors' Picks