Tamara Rojo joined the elite, though thankfully growing, roster of female ballet company directors seven years ago when she took the helm at English National Ballet. Since then she's managed the even more uncommon feat of continuing to perform as a leading principal dancer for ENB while directing the company. Rojo began her remarkable career in her home country of Spain, but at 22 years old she left for the UK, dancing with Scottish National Ballet, ENB, and then The Royal Ballet, where she spent 12 years as a principal and earned international acclaim for her assured technique and passionate stage presence. Her performances, like this 2009 La Bayadère, show an artist truly in command of her craft.


As Nikiya in final scene in Act I, Rojo is mesmerizing and heartbreaking, going through a full gamut of emotions from wounded, to joyous, to utterly betrayed. She enters to discover that she must dance at the engagement celebration of her beloved Solor and the conniving Gamzatti (played by Carlos Acosta and Marianela Nuñez, whose superb acting in their small moments of mime are also a highlight.) The somber adagio that follows is a stunning display of Rojo's flexibility and control. At 2:30, her développé into penché is achingly slow, yet also smooth and suspended. Her pure movements reflect Nikiya's purity of heart, stirring up our compassion when she ultimately sacrifices herself. Happy #ThrowbackThursday!

Viral Videos

Josephine Lee of the California-based ThePointeShop gives pointe shoe fitting tips for what she calls "octopus feet"; feet that slide down and fit into whatever shoes they're in.

Keep reading... Show less
Jayme Thornton for Dance Magazine

It is perhaps the understatement of the century to say that Misty Copeland—American Ballet Theatre principal, trailblazing role model, and straight-up ballet icon—knows how to work a pair of pointe shoes. But a new campaign for Stuart Weitzman, in which Copeland trades her ballet "boots" for some boots of the more traditional kind, proves (yet again) that she's a dance goddess in any kind of footwear.

Keep reading... Show less
Ballet Stars

For many a bunhead, "The Dance of the Sugar Plum Fairy" is not just a holiday tradition, but a rite of passage. The variation, with its tinkling celesta, bourrées and petit battus, is one that all ballet dancers are familiar with, and getting the opportunity to perform it often represents moving into new realms in your training or career. Such was the case for Soviet ballerina Ekaterina Maximova. In this 1957 clip, the 18-year-old aspirant performed the Sugar Plum variation at a ballet competition, where she represented the Bolshoi Ballet Academy.

Keep reading... Show less
Viral Videos

Same feet, but different shoes... Josephine Lee of the California-based ThePointeShop interviews Milwaukee Ballet dancers and identical twin sisters Elizabeth Harrison and Marie Harrison-Collins to find out all of their pointe shoe hacks, proving once and for all just how individual each dancer's pointe shoe preferences are.

Keep reading... Show less