Tamara Rojo joined the elite, though thankfully growing, roster of female ballet company directors seven years ago when she took the helm at English National Ballet. Since then she's managed the even more uncommon feat of continuing to perform as a leading principal dancer for ENB while directing the company. Rojo began her remarkable career in her home country of Spain, but at 22 years old she left for the UK, dancing with Scottish National Ballet, ENB, and then The Royal Ballet, where she spent 12 years as a principal and earned international acclaim for her assured technique and passionate stage presence. Her performances, like this 2009 La Bayadère, show an artist truly in command of her craft.


As Nikiya in final scene in Act I, Rojo is mesmerizing and heartbreaking, going through a full gamut of emotions from wounded, to joyous, to utterly betrayed. She enters to discover that she must dance at the engagement celebration of her beloved Solor and the conniving Gamzatti (played by Carlos Acosta and Marianela Nuñez, whose superb acting in their small moments of mime are also a highlight.) The somber adagio that follows is a stunning display of Rojo's flexibility and control. At 2:30, her développé into penché is achingly slow, yet also smooth and suspended. Her pure movements reflect Nikiya's purity of heart, stirring up our compassion when she ultimately sacrifices herself. Happy #ThrowbackThursday!

Viral Videos

Sir Anthony Dowell dedicated four decades for his life to The Royal Ballet, first as a principal dancer, and then as the company's artistic director. His monumental career is a testament to his love for the art form. That love can also be seen in this solo from a 1980 performance of Dutch choreographer Hans van Manen's Four Schumann Pieces, created for the company five years earlier. Van Manen's choreography slips in and out of pedestrian and balletic vocabulary. Dowell demonstrates his virtuosity by ascending into sublime classical shapes without an intimation of effort.

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Josephine Lee of the California-based ThePointeShop explains how to find the best fitting pointe shoes when recovering from a broken metatarsal, plus extra tips on recurring injuries, and getting over the box of your shoes.

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Ballet Training

Argentinian ballerina Paloma Herrera, who is now the artistic director of Ballet Estable del Teatro Colón in her home country, joined American Ballet Theatre at just 16 years old and was promoted to principal at 19. Over the course of her 24-year career with ABT, she became known for her maturity and range as an artist. Still, ingenue roles remained one of her hallmarks due to her ability to portray youth with honesty. She even danced Giselle for her ABT retirement performance. In this clip highlighting the first act variation in Giselle, she conveys the character's innocence with unaffected sincerity.

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(From left) Gonzalo Garcia, Sara Mearns, Isabella Boylston, and Calvin Royal III in Ezra Hurwitz's "Mobile Devices," courtesy Ezra Hurwitz

Apple—continuing their sensational streak of genius dance collabs—has done it again, with a sleek promo video for the new iPhone that features the ballet world's best and brightest.

The beautiful short film, titled "Mobile Devices" (we see what they did there!), is directed by former Miami City Ballet dancer Ezra Hurwitz. It follows a day in the life of American Ballet Theatre soloist Calvin Royal III and New York City Ballet principal Sara Mearns, and also includes appearances by NYCB principal Gonzalo Garcia and ABT principal Isabella Boylston. "I wanted to showcase the experience of an African American male ballet dancer alongside the more traditionally featured white female ballerina," says Hurwitz, who frequently collaborates with stars of the dance world. "That said, I also wanted to keep it fun and visually driven, and make it a real celebration of these dancers' artistry, athleticism and determination."

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