Former Royal Ballet principals Tamara Rojo and Carlos Acosta are notably one of the best couples to perform together. In this clip of Manon, it's clear that Rojo and Acosta have an unadulterated chemistry, even with the pas de deux's technically exhaustive demands.


Like Romeo and Juliet, Manon tells the story of star-crossed lovers. Though Manon and Des Grieux are fated from the start, this variation captures their love for each other through stolen glances and heartfelt embraces. Acosta showcases Rojo in every promenade and lift, underscoring his own strength and grace. From the opening saut de chat at 0:10 to the soutenu at 1:08, there is an implicit assuredness between them that makes their performance particularly special.

It's no surprise that both dancers have continued to be leading lights in the dance world. In 2012, Rojo was appointed artistic director of the English National Ballet where she is also its lead principal dancer. Acosta, the first black dancer to become a principal with the Royal Ballet, is following suit. This October, he finishes his A Classical Farewell tour at the Royal Albert Hall before heading back to Cuba to direct his new company, Acosta Danza.

Happy #ThrowbackThursday!

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At this point, you'd think we'd all be used to the level of technical absurdity Daniil Simkin achieves when he's playing around in the studio. But then he did this:

...and now we're low-key appalled in the absolute best way.

After we picked our jaws up from the floor, we were inspired to dig up clips of some of our other favorite dancers turning like it's no big deal. Here are just a few standouts.

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Viral Videos

Natalia Makarova's version of Swan Lake, staged in the 1980s for London Festival Ballet (now the English National Ballet), incorporates a pas de quatre choreographed by Sir Fredrick Ashton into the ballet's opening act. Leanne Benjamin, then just 24 and a principal with the company, dances among the couples in this clip from a 1988 film of the ballet. The burgeoning ballerina shines in her minute-long solo, tackling intricate footwork with intelligence and spirit that foreshadow her formidable, two-decade career as a principal of The Royal Ballet.

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