From the outside, classical ballet can seem restrictive with its decorum, elaborate costumes and, of course, uncomfortable pointe shoes. Yet as ballet dancers we know that our technique actually allows our bodies to move with incredible freedom. That physical freedom is never more apparent than in watching dancers like Sylvie Guillem and Massimo Murru, both of whom danced with historic ballet companies, take on contemporary masterpieces like Jiří Kylián's Petite Mort. Stripped down to the barest costumes, their musculature and sheer physicality are unencumbered and demand awe.


Guillem, a former étoile with the Paris Opera Ballet and then an international guest artist, could certainly not be contained to classical repertoire. Alongside Marru, a former La Scala Ballet étoile, her legs bend, swivel, expand and fly. Guillem and Marru's intelligent bodies slip from angular shapes into flowing classical lines. Their movement relies on tension, supporting each others' weight in unexpected shapes. In one moment at 3:30, as Murru clasps Guillem's hand between her legs, she flicks her feet off the floor and suddenly levitates in grand plié. Continuously weaving into each others' negative space, they wrap their legs, arms and bodies around each other, dancing as a single organism. The audience was obviously moved—the applause goes on for two minutes! Happy #ThrowbackThursday!

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Gene Schiavone, Courtesy Boston Ballet

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Kevin Lloyd Photography, Courtesy Ballet Jörgen

Canada's Ballet Jörgen is committed to telling Canadian stories by Canadian choreographers. For its next full-length ballet, director Bengt Jörgen turned to what he calls "perhaps the most quintessential Canadian story" of all time: Lucy Maud Montgomery's beloved 1908 novel Anne of Green Gables, about the flame-haired, precocious orphan Anne Shirley. Jörgen is choreographing the work, which will debut in Halifax, Nova Scotia (not far from Anne's fictional home in Avonlea, Prince Edward Island), on September 28 before embarking on a two-year tour of Canada and the U.S.

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Original photos: Getty Images

We've been dying to hear more about "On Pointe," a docuseries following students at the School of American Ballet, since we first got wind of the project this spring. Now—finally!—we know where this can't-miss show is going to live: It was just announced that Disney+, the new streaming service set to launch November 12, has ordered the series.

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