The third act variation from Raymonda is deceptively simple–legato and heavy on bourrées and épaulement, it has few pirouettes or showy extensions. Instead, the piece calls for artistry and aristocratic command in order to convey the character's regal persona and the dance's Hungarian flavor. Soviet prima ballerina Natalia Makarova is legendary for her emotive, passionate performances. She interprets the variation with rich soulfulness, flowing through positions with sinuous, unfurling limbs. Her feet tremble like the piano keys as she bourrées, surging and slowing with the tempo. Throughout the variation, her lifted sternum and sophisticated épaulement drum up drama that culminates in her final pose with her head tossed completely back over her shoulder.


Makarova's stardom flourished, both onstage and personally, because of her daring artistic choices. She defected from the Soviet Union in 1970, leaving her home and position at the Kirov (now Mariinsky) Ballet for new opportunities in the West. She danced with American Ballet Theatre, then The Royal Ballet, and continues to shares her gifts and vision as a coach.

Viral Videos

Buying your first pair of pointe shoes is a huge milestone. Below, ThePointeShop's Josephine Lee gives some of her top tips on finding the best fit for first time pointe shoe wearers.

Keep reading... Show less
Rachel Neville, Courtesy Audition Dancewear

When you dig through your collection of leotards before class, do you ever think about how they're made, or what they're made from? Chances are, most dancers don't, and Audition Dancewear wants to do something about that.

The company—run by two mother-daughter duos, Kathy and Caroline Perry and Shelly and Suzanna Lathrum—has begun making leotards from recycled materials to reduce their carbon footprint and raise awareness around plastic consumption. The result is a sleek line of leos that don't sacrifice style or function, and that use four or five recycled water bottles per leo.

Keep reading... Show less
Ballet Careers
American Contemporary Ballet in rehearsal. Anastasia Petukhova, Courtesy ACB.

Lincoln Jones felt there was a pertinence missing from ballet when he decided to form American Contemporary Ballet. "People looking at a film today can pick apart screenwriting versus art direction and editing," says Jones. "They are really conversant with it. I thought ballet is never going to feel super-relevant until people can do that."

So how to do that? Connect the audience to the show.

Keep reading... Show less
Sponsored by The Rock School
From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

What inspires busy pros to keep returning to their alma mater? We talked to three of The Rock School's buzziest alums about why they make it a priority to come back and teach:

Keep reading... Show less