The Soviet Union redefined standards in classical ballet in the 1960s, producing opulent story ballets and dancers with refined, yet daring technique. Dancers like Natalia Makarova and Valery Panov, who were among the leading performers with the Kirov Ballet (now the Mariinsky) at that time, were at the pinnacle of the art form. In this 1964 film of the Kirov's The Sleeping Beauty, Makarova and Panov dance together as Princess Florine and the Bluebird. Despite the nostalgic trappings of the soundstage dance film, their strength and intention in this pas de deux make for a timeless performance.


With her gentle epaulement and frothy blue tutu, Makarova is a vision of the jewelry-box ballerina. Yet she has the power to whiz through her pirouettes and burst into full-split saut de chats. Panov, likewise, soars with force in his jumps, but his bluebird wings are romantic and luscious. The dancers fly in their assemblés, and they flutter like song-birds in brisk, partnered pirouettes. Makarova hops into the final lift as if she were born to fit perched on Panov's shoulder. Our only qualm: at only two minutes, this duet leaves us longing for more. Happy #ThrowbackThursday!

Ballet Stars
Fabrice Calmels as Othello in Lar Lubovitch's Othello. Cheryl Mann, Courtesy Larisa Elizondo.

After nearly 19 years, Joffrey Ballet dancer Fabrice Calmels announced Monday that he'll take his final bow with the company after a performance of Nutcracker on December 29. Born in France, Calmels trained at the Paris Opéra Ballet School before moving to the United States to study at the Rock School, Boston Ballet School and School of American Ballet. In addition to the long list of roles he's danced at the Joffrey, Calmels has worked as a model, and in 2014 won the Guinness World Record as the world's tallest ballet dancer.

We caught up with Calmels to hear about why he's leaving, and what his future after the Joffrey will hold.

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Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

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Viral Videos

Josephine Lee of the California-based ThePointeShop gives pointe shoe fitting tips for what she calls "octopus feet"; feet that slide down and fit into whatever shoes they're in.

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Rosalie O'Connor, Courtesy US Prix de Ballet

The US Prix de Ballet is taking an unconventional approach to the ballet competition—by putting the competitors' health first. After a successful first year in 2018, the Prix is returning to San Diego, CA this February with an even more comprehensive lineup of wellness workshops and master classes, in addition, of course, to the high-level competition.

Though the talent is top-notch, the environment is friendly, says HARID Conservatory faculty member Victoria Schneider, who serves on US Prix de Ballet's elite panel of judges. "The wellbeing of the dancer is the main focus," says Schneider, who awarded three scholarships to HARID at last year's competition.

US Prix de Ballet was born after its founders traveled to the Japan Grand Prix International Ballet Competition in 2016. "The company ran every aspect of the competition with professionalism, dignity, honor and precision," says founder Neisha Hernandez. "We knew we wanted this level of experience for America."

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