#TBT: Cynthia Harvey in “Paquita” (1984)

Throughout the last quarter of the 20th century Cynthia Harvey was a force in the ballet world. She had the unique distinction of dancing as a principal ballerina on both sides of the Atlantic, with American Ballet Theatre and then at The Royal Ballet, where she was the first American dancer ever to hold that position. A dynamo with impeccable style, her polished technique was matched only by her power. In this 1984 performance of a variation from Paquita, she bursts from the wing with a tidal wave of energy that carries her throughout the entire solo.


In an exhilarating entrance, Harvey saut de chats across the stage, just grazing the floor between each soaring split. She follows this opening pass with a series of pirouettes in attitude and arabesque, looking like the quintessential jewelry box ballerina (only spinning at triple the speed.) After a confident flick of her foot in a rond de jambe, she flies to the corner to finish the variation with a sequence of piqué turns and jetés. She whizzes around in the first double piqué and then slowly suspends the second, demonstrating her phenomenal control. These days, Harvey is still a star, but at the front of the studio rather than on the stage. She guest teaches around the world and serves as the artistic director of ABT's Jacqueline Kennedy Onassis School, as well as the ballet coaching organization, En Avant Foundation. Happy #ThrowbackThursday!

Latest Posts


Gregory Batardon, Courtesy Prix de Lausanne

The 2021 Prix de Lausanne Prepares for a Year Like No Other

In an ordinary year, early February marks an exciting time in the ballet world: the return of the prestigious Prix de Lausanne competition. But this is no ordinary year, so this is no ordinary Prix. Due to the pandemic, the 2021 edition will run from January 31 to February 7, completely via video.

Keep reading SHOW LESS
Photo by Mena Brunette, XMBPhotography

Inside Washington Ballet Artist Ashley Murphy-Wilson's Dance Bag

Ashley Murphy-Wilson, an artist at The Washington Ballet, is all about making things personal. Well, personalized, that is. "My best purchase ever was a label maker," she says. "Everything I own is labeled. My phone charger is labeled. My roller is labeled. Everyone knows: If I leave something in the studio, I'm coming back for it—because my name is on it."

The TWB dancer adds a personal touch to almost everything in her dance bag, be it with her label maker, her "signature" leopard print legwarmers or her bedazzled (yes, we said bedazzled) booties. It's the mark of an experienced dancer; Murphy-Wilson, now in her sixth season at TWB after 13 years with Dance Theatre of Harlem, knows better than to let her belongings get lost to the dance studio "black hole" effect.

Keep reading SHOW LESS
Charlene Gehm MacDougal as Lead Nursemaid in Petrushka. Photo by Herbert Migdoll

In Memoriam: Joffrey Dancer Charlene Gehm MacDougal, 69

Former lead dancer with The Joffrey Ballet, Charlene Gehm MacDougal died of ovarian cancer on January 10 at her home in New York City, age 69.

Gehm illuminated the inner life of each of the varied characters in her extensive repertoire. Whether she was the gracious hostess in George Balanchine's Cotillon, the riveting Lady Capulet in John Cranko's Romeo and Juliet, or in the tumult of William Forsythe's Love Songs, she drew the viewer's eye and heart to the essence of the role.

As Forsythe puts it: "Charlene was certainly one of the most elegant dancers I have had the privilege to work with. Her striking countenance flowed into her work and, joined with her wicked sense of humor and intelligence, created thoughtful, mesmerizing and memorable art."

Keep reading SHOW LESS

Editors' Picks