No matter how many years it's been, it's impossible to discuss dance movies and not mention Center Stage. Now 18 years since its premiere (May 12, 2000, FYI), the movie was the talk of the ballet studio for months after it hit theaters, and it even had our non-dancer friends excited. Plus, it starred some of ballet's biggest names—American Ballet Theatre's Ethan Stiefel, Julie Kent and Sascha Radetsky (and a few brief appearances from dancers like Gillian Murphy and Janie Taylor). It also, of course, starred San Francisco Ballet apprentice turned actress Amanda Schull as the movie's beloved Jody Sawyer.


Not only is Center Stage still one of our fave movies after all theses years, but its stars have since gone on to do many more amazing things in dance (often collaborating together, in the case of Stiefel and Kent). Which is exactly why we're dedicating today's #TBT to our favorite scene. While there are undoubtedly multiple dance moments to choose from (like Jody crashing Cooper Nielson's jazz class or even the opening of Cooper's piece to Michael Jackson's "The Way You Make Me Feel"), the very best moment also happens to be the movie's very last dance sequence.

We'll never forget how Jody completely commanded the stage, transforming from a long, blue dress and loose hair to a bold red costume and an updo—all without ever leaving the stage (ah, the magic of movies). Seeing Jody nail her performance to Jamiroquai's "Canned Heat" after all of her studio struggles was a moment every bunhead cheered for. It also provided us with plenty of choreography to play with in the studio, as we tried to recreate the scene with our friends.

Rewatch it for yourself above (then go ahead and watch the whole film). Happy #TBT!

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Kevin Lloyd Photography, Courtesy Ballet Jörgen

Canada's Ballet Jörgen is committed to telling Canadian stories by Canadian choreographers. For its next full-length ballet, director Bengt Jörgen turned to what he calls "perhaps the most quintessential Canadian story" of all time: Lucy Maud Montgomery's beloved 1908 novel Anne of Green Gables, about the flame-haired, precocious orphan Anne Shirley. Jörgen is choreographing the work, which will debut in Halifax, Nova Scotia (not far from Anne's fictional home in Avonlea, Prince Edward Island), on September 28 before embarking on a two-year tour of Canada and the U.S.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Original photos: Getty Images

We've been dying to hear more about "On Pointe," a docuseries following students at the School of American Ballet, since we first got wind of the project this spring. Now—finally!—we know where this can't-miss show is going to live: It was just announced that Disney+, the new streaming service set to launch November 12, has ordered the series.

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Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop chats with Ballet West soloist Chelsea Keefer to hear about how she prepares her pointe shoes. Keefer offers lots of darning tips, and shares all of the unusual ways that she uses rosin.

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