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#TBT: Bolshoi Ballet in "Spring Waters" Throughout the Years (1956 and 1986)

Spring may be 10 days away, but we're anxious for its arrival—so we're dedicating this #ThrowbackThursday to the Spring Waters pas de deux. Created by Russian choreographer and former Bolshoi Ballet principal dancer Asaf Messerer, this short concert piece sounds sweet and serene in name, but its surprising acrobatics capture spring's energy rather than its mildness.


This first clip is from 60 (!) years ago. In costumes of white and gold, Bolshoi dancers Lyudmila Bogomolova and Stanislav Vlasov burst onto the stage like rays of sunshine. You can see how technical standards have changed in six decades, but this performance is hardly lacking. Bogomolova leaps fearlessly into Vlasov's arms and radiates warmth in the slower partnering sections. Before their exit, he catches her, tosses her into the air and dashes offstage.

In this later clip from 1986, Maria Bylova and Leonid Nikonov's technique is closer to what we are accustomed to. With higher legs come even more death-defying tricks. When Bylova runs to Nikonov from the corner, she takes a flying, head-first dive. At the end, holding Bylova with just one hand, Nikonov carries her effortlessly into the wings. This version seems almost more frenzied than the 1956 one, but none of the four dancers betray any hint of stress in Messerer's challenging partnering. They dance like carefree lovers on a spring day. Do you have a favorite version?


Fun fact: Asaf Messerer is Maya Plisetskaya's uncle. Happy #ThrowbackThursday!

Ballet Careers
Gray Davis with wife, ABT soloist Cassandra Trenary, after his graduation from the South Carolina Criminal Justice Academy. Courtesy Trenary.

When Gray Davis retired from American Ballet Theatre in July of 2018, he moved home to South Carolina, unsure of what would come next. Last month, just over a year later, Davis graduated from the South Carolina Criminal Justice Academy. Today, he's working as a deputy for the Abbeville County Sheriff's Office.

Though Davis danced in ABT's corps for 11 years and is married to soloist Cassandra Trenary, to many he's best known for saving the life of a man who was pushed onto the subway tracks in New York City in 2017. The heroic effort earned him the New York State Liberty Medal, the highest civilian honor bestowed by a member of the New York State Senate. We caught up with Davis to hear about how the split second decision he made in the subway affected the course of his life, what it's been like starting a second career and what he sees as the similarities between ballet and law enforcement.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Ballet Stars
Megan Amanda Ehrlich, Courtesy LEAP Program

Claire Sheridan wanted to change the status quo. Leading up to the 1990s, she recalls, "there was a 'shut up and dance' mind-set," and as the founder of the dance program at St. Mary's College of California and a longtime teacher in professional companies, she had seen too many dancers retire with no plan for a successful career transition. "At that time, if you thought about education and the future," she says, "you were not a committed dancer. I wanted to fight that."

With the support of St. Mary's, Sheridan developed the Liberal Education for Arts Professionals program, or LEAP, an innovative liberal-arts bachelor's degree program designed especially for professional dancers. She first presented her idea to executives at San Francisco Ballet. "Kudos to that company, because they said, 'This is great,'" she says. "Eleven of the first 18 dancers who started in August 1999 were from SFB."

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Ballet Training
Getty Images

I'm a college freshman, and my dance program isn't challenging enough. We only have ballet three times a week and a few hours of modern, and my classmates aren't as dedicated as I am. There's a small dance company nearby, where I was hoping to take extra classes, but I don't have a car. I want to transfer, but I feel like I won't be in good enough shape for auditions. —Tara

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