#TBT: Alessandra Ferri in Romeo and Juliet (1984)

Ferri and Wayne Eagling (1984). Photo by Leslie Spatt via The Guardian.

June 23 is finally here, and we couldn’t be more excited! Tonight, internationally acclaimed ballerina Alessandra Ferri, 53, returns to American Ballet Theatre to reprise the role of Juliet alongside Herman Cornejo in Sir Kenneth MacMillan’s Romeo and Juliet. For some, tonight’s performance is one more opportunity to see the former ABT and Royal Ballet star dance the role she’s most famous for. For others, it is a chance to see her legendary Juliet live for the first time.

Until then, let’s enjoy this 1984 clip of Ferri, then a newly promoted Royal Ballet principal, in the bedroom pas de deux. With youthful ardor, she breathes life into the Shakespearian heroine. Ferri and her partner, former principal Wayne Eagling, abound in bashful and impassioned embraces, their movements across the stage both dramatic and fleeting. My favorite moment starts at 0:16, as the couples’ gentle cambrés give way to fiery, abandoned lifts.

We thought we had seen the last of Ferri when she retired in 2007. Yet she made an unexpected comeback in 2013, and has since starred in Martha Clarke’s Chéri, John Neumeier's Duse at Hamburg Ballet, and The Royal Ballet’s production of Wayne McGregor’s Woolf Works. We’re anxiously waiting to see how Ferri’s matured perspective influences her latest performance, and we can’t wait to see what else the future has in store for her. Happy #ThrowbackThursday!

Ferri and Roberto Bolle at her farewell ABT performance. (Not farewell for long!) Photo by Nan Melville via NYTimes.

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Alice Pennefather, Courtesy ROH

You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)

Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of:

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

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Ali Cameron, Courtesy Queensland Ballet

An artistic director's position was far from Li Cunxin's mind when the Brisbane-based Queensland Ballet came calling in 2012. Since his retirement from the stage in 1999, the Chinese-Australian dancer had embarked on a highly successful career at the helm of a stockbroking firm. His wife, former dancer and current Queensland ballet mistress Mary McKendry Li, changed his mind, Li remembers. "She said, 'Wouldn't it be nice to give something back to the art form that we both have benefited so much from?' "

Seven years later, Li's contribution has been dramatic. Queensland Ballet, once a struggling choreographer-led company, has become one of Australia's most exciting repertoire ensembles, with Liam Scarlett on board as artistic associate. The budget has more than quadrupled, to over $20 million USD, and Li has launched not one but three major construction projects, with world-class headquarters, a theater and a new academy all in progress.

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