Katherine Williams has been promoted to soloist. Photo by Rosalie O'Connor, Courtesy ABT.
It's that time of year: American Ballet Theatre has just announced promotions, and they're as exciting as ever.
This season, it's all about the ladies: corps de ballet members Zhong-Jing Fang, Catherine Hurlin and Katherine Williams have been promoted to soloist, effective September 1.
Though none of these choices are surprises per se, it's nice to see artistic director Kevin McKenzie acknowledge the hard work of two longtime dancers. Fang has been a striking member of the corps since 2004, known for tackling steps with daredevil abandon and for her humorous side. Williams' bright, reliable presence has lit up the ABT stage since 2008, and her recent debut as Myrtha proved she has the emotional range for roles far beyond the ingénue.
From left: Zang (photo by Jade Young), Williams (photo by Alex DiMattia), Hurlin (photo by Jade Young)
Jane Cracovaner and Elijah Laurant with MOVETHECOMPANY, which will perform at the Joyce Ballet Festival this week. Photo Craig Foster, Courtesy Joyce Theater.
Wonder what's going on in ballet this week? We've pulled together some highlights.
The Joyce Ballet Festival Is Back
New York City's Joyce Theater kicks off its five-company Ballet Festival June 26-July 7. Showcasinga variety of styles including neoclassical and contemporary dance, the festival prides itself on featuring smaller companies. Below, check out the three companies opening this week. (Feeling festive? Enter our giveaway to win tickets to the Ashley Bouder Project at the Joyce on July 5.)
For Zhong-Jing Fang, being an artist extends beyond the studio or stage. "Being a ballerina is such a creative thing, and that gives me permission to be creative in my own life," says the American Ballet Theatre corps member, who's known for her collection of whimsical hats. She discovered her love of hats a few years ago while recovering from an ankle injury, when she came across a shop full of them. "I used to go there and try different hats on and the designer would tell me, 'This hat was inspired by Audrey Hepburn,' or 'This was inspired by Liza Minnelli,' " she says. "It gave me an idea that hats can capture some spirits." She enjoys the process of browsing vintage stores and boutiques and crafting her own outfits.
In rehearsal, Fang's look varies depending on her mood and the repertoire, but she especially loves practice tutus, leotards with lace and mesh detailing, and French brands like Chacott. "I want to look classic and clean because ballet is such a sculpting art—everything is about lines and sculptures," she says. In or out of the studio, fashion is an opportunity to show her individuality. "I think it's very encouraging for ballerinas to think outside of their box," she says. "It's so inspiring because everyone has different style."
Rogers in Twyla Tharp's "The Princess and the Goblin." Photo by Kim Kenney, Courtesy Atlanta Ballet.
Five years after joining American Ballet Theatre, corps member Zhong-Jing Fang sustained a serious ankle injury. Not one to let a setback take her off course, Fang wondered: What other things can I do as an artist? She loved imitating movie actresses as a child, so she decided to try acting while she recovered. For two years, she went every Wednesday evening to a four-hour group class with acting coach Diaan Ainslee. There she learned to dissect a monologue, develop a character, listen and feel emotionally exposed. The experience thrust Fang out of her comfort zone and transformed her as an artist. “It's a different layer of becoming a person," Fang says, “and becoming much more real."
Acting classes, which often incorporate exercises aimed at self-exploration, can offer dancers tools to deepen their artistry. Even simple things, Fang notes, like working without mirrors, can inspire you to go beyond image and find a deeper sense of self. “There is a lot more to say, beyond just being able to dance," she says. Here, Fang and three other dancers explain how acting skills have made them better performers.