What is the hardest role you've learned?
Swan Lake. You need so much endurance to get through it. Especially in Act III, when you're about to do the fouettés—I feel like I can't see, I'm so tired by that point. It's a battle of your own mind.
You've danced Aurora for The Royal Ballet and at San Francisco Ballet—how were they different?
In London it was my debut; it was 10 times harder dancing it for the first time. Revisiting it in San Francisco, I had so much more experience—it wasn't as hard as I remembered. Anytime you revisit a role, it becomes slightly less hard than the first time.