News
Houston Ballet's Karina González and Chun Wai Chan in rehearsal for Jerome Robbins' The Cage. Lawrence Knox, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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News
Tiler Peck in Balanchine's "Tchaikovsky Pas De Deux." Photo by Paul Kolnik, Courtesy New York City Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


NYCB Spring Season Opens

NYCB's 2018 Spring Season opens on April 24. The next six weeks are filled with all of what NYCB has to offer including classic works by George Balanchine and Jerome Robbins, world premieres by Justin Peck and Warren Carlyle (each paying tribute to Robbins), and the full-length Coppélia. April 24-28 is all Balanchine; audiences can see works including Agon, The Four Temperaments and Tchaikovsky Pas de Deux. April 28 also offers NYCB's 21st Century Choreographers program, which will appear again later in the month, and includes Peter Walkers' dance odyssey, Alexei Ratmansky's Pictures at an Exhibition and Justin Peck's Year of the Rabbit. Below, Tiler Peck discusses what Tchaikovsky Pas de Deux means to her—she'll be dancing the work April 25 with Joaquin De Luz.

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Ballet Careers
Artists of Wonderbound in "Snow." Photo by Amanda Tipton, Courtesy Wonderbound.

As a student in a pre-professional ballet school, one of the best parts of performing in company productions was getting to be in the midst of the action with the company dancers. In Nutcracker, for example—between my all-important moments of dancing glory (the two minute children's dance)—I'd eavesdrop on the party parents' conversations and (sometimes PG-13) jokes.

Even with the hazards of sweat flung from a pirouetting dancer's forehead, I often feel that audience members are missing out—watching a ballet from the front is rarely so intimate.

It seems I'm not alone in this thought. Two regional companies are looking to shake up the performance format with their immersive winter productions. With live music, cocktails, puppetry and up-close and personal party access, American Contemporary Ballet's The Nutcracker Suite and Wonderbound's Snow are sure to pique new interest.


American Contemporary Ballet's Sarah Bukowski as Marzipan. Photo by Art Lessman, Courtesy ACB.

American Contemporary Ballet's The Nutcracker Suite

American Contemporary Ballet, now in its seventh season, is premiering its unique Nutcracker production this year. Artistic director Lincoln Jones was initially reluctant to do a party scene. "For audiences today, especially audiences in Los Angeles where they don't really grow up with ballet," he says, party scene's "over-large acting" can be difficult to connect with.

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Strathmeyer rehearsing Winter. Amanda Tipton, Courtesy Wonderbound.

For many ballet companies, December means Nutcracker time. But this Dec. 10-18, the Denver-based troupe Wonderbound presents the world premiere of Garrett Ammon's Winter, a multi-sensory ballet bringing audiences the sights, sounds, smells and tastes of the season. For Pointe's bi-weekly newsletter, we spoke with company member Meredith Strathmeyer, who plays the magpie in this immersive ballet.

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