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Health & Body

Do I Have a Labral Tear? What You Need to Know About Treating This Common Ballet Injury

Emily Giacalone, modeled by Elizabeth Steele of The School at Steps.

In fall 2012, New York City Ballet associate artistic director Wendy Whelan, then a company principal, was taking morning class when her foot slid out from under her, causing her to pull the very top of what felt like her right hamstring muscle. "It shocked me from the inside out," she notes.

Whelan spent three months nursing her hamstring. But once she got back to performing, her right hip flexor began flaring up. "By the end of Nutcracker season, I could no longer bear standing in fifth position. I could not lift my right leg without severe pain," she says. "I couldn't imagine why or how this was suddenly becoming so debilitating." A sonogram revealed a complex labral tear in Whelan's hip.

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News

Onstage This Week: Joffrey's "Jane Eyre" Debut, The Mariinsky Heads to California and More!

The Joffrey Ballet's Amanda Assucena and Greig Matthews in Cathy Marston's Jane Eyre. Cheryl Mann, Courtesy Joffrey Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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News

New York City Ballet's New Leadership Reflects on the Season Ahead

NYCB Associate Artistic Director Wendy Whelan and NYCB Artistic Director Jonathan Stafford. Christopher Lane, Courtesy NYCB.

After a year and a half of tumult at New York City Ballet, the company is finally settling into a groove under new artistic director Jonathan Stafford and associate artistic director Wendy Whelan, who lead their first full season starting this fall.

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News

Onstage This Week: Wendy Whelan in "THE DAY," Vail Dance Fest Week 2, World Premiere at American Contemporary Ballet and More!

Nils Schlebusch, Courtesy Jacob's Pillow Dance

Wonder what's going on in ballet this week? We've rounded up some highlights.

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News

Jonathan Stafford and Wendy Whelan Will Lead New York City Ballet

From left: Jonathan Stafford; Photo by Paul Kolnik; Wendy Whelan, Photo by Lindsey Thomas

Well over a year after the retirement of Peter Martins, New York City Ballet has announced that former principal dancer Jonathan Stafford will lead the company and its affiliated School of American Ballet as artistic director. Fellow former principal Wendy Whelan will serve as associate artistic director.

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Ballet Stars

Eight Companies, One Iconic Choreographer: Inside Rehearsals for New York City Center’s Balanchine Festival

Wendy Whelan leads a crowded morning class. "The energy was amazing," she says. "Among the visiting companies, there was such a shared respect and friendliness toward each other." Kyle Froman.

On a crisp day in late October, the studio air is thick and hot as dozens of sweaty dancers finish up grand allégro at New York City Center. Despite the fact that many of them are jet-lagged, there is a palpable, positive energy throughout the studio. Teaching class is former New York City Ballet star Wendy Whelan, which seems fitting. The dancers, culled from eight major companies around the world, are getting ready for opening night of Balanchine: The City Center Years, a five-day festival highlighting the choreographer George Balanchine's early works.

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What to Watch: Wendy Whelan in Conversation With Four Famous Balanchine Ballerinas

From left: Allegra Kent, Kay Mazzo, Gloria Govrin, Merrill Ashley and Wendy Whelan. Eduard Patino, Courtesy NDI.

On Monday evening, four 20th century New York City Ballet stars joined Wendy Whelan in conversation for an event titled Balanchine's Ballerinas hosted by National Dance Institute, the dance education organization that former NYCB dancer Jacques d'Amboise founded in 1976. D'Amboise introduced the four ballerinas taking the stage as dancers who "graced Balanchine and were graced by him." Hearing the ensuing conversation between Wendy Whelan and Allegra Kent, Kay Mazzo, Gloria Govrin and Merrill Ashley proved just that; the sense of inspiration that George Balanchine gleaned from his muses, and the deep appreciation he had for each individual's unique traits.

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Ballet Training

Why Wendy Whelan Thinks Young Dancers Should Incorporate Contemporary Ballet Into Their Training

Wendy Whelan teaching at Jacob's Pillow's Ballet Program. Photo by Christopher Duggan, Courtesy Jacob's Pillow.

Last month The School at Jacob's Pillow announced a major change to its historic summer ballet program, which boasts alumni at companies including American Ballet Theatre, Pennsylvania Ballet and Dutch National Ballet. This summer, rather than focusing on coaching dancers in the traditional, story-driven classical repertoire, the intensive makes the shift to contemporary ballet. Directed by former Cedar Lake Contemporary Ballet director Alexandra Damiani and BalletX co-founder Matthew Neenan, the Contemporary Ballet Program will work to engage students in the development of new work and the ever-adapting repertoire (including pointe work) it requires.

Former New York City Ballet prima and longtime Jacob's Pillow participant Wendy Whelan played a large role in the decision making process. We touched base with Whelan to hear about what went into this decision, and whether she thinks that this focus on contemporary training represents a growing trend in the ballet world.

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News

Onstage This Week: 15th Annual Fall for Dance Festival, Nevada Ballet Theatre Collaborates with Cirque du Soleil, Wendy Whelan in World Premiere, and More!

Los Angeles Ballet's Tigran Sargsyan and Petra Conti. LAB opens their fall season this week with a mixed bill including two company premieres. Photo by Reed Hutchinson, Courtesy LAB.

Fall for Dance FestivalWonder what's going on in ballet this week? We've pulled together some highlights.

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Viral Videos

Watch This New Documentary Following Emerging Choreographer Claudia Schreier's Path to the Big Stage (Hint: It Involves Wendy Whelan)

Last summer Claudia Schreier & Company made its debut at The Joyce Theater as part of the 2017 Joyce Ballet Festival. This is a huge deal for any young choreographer, made all the more poignant for Schreier in an age where conversations around gender and race in ballet are omnipresent. Yesterday, Schreier announced the release of a short documentary titled Sixth Position , which follows her preparations for the festival. Luckily, the whole documentary is available online, free of charge—we've included it below. Artfully made with beautiful rehearsal shots and muted colors, Sixth Position gives Schreier a new platform on which to share her creative process and her thoughts on the importance of inclusion and equality in choreography. Another highlight? If last summer's release of Restless Creature only whetted your appetite for seeing Wendy Whelan onscreen, you can catch more of her here; Schreier made a new work on Whelan which premiered at the 2017 festival.

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Our 4 Favorite Ballet Documentaries on Netflix Right Now

Wendy Whelan and Craig Hall in Christopher Wheeldon's "After the Rain." Photo by Paul Kolnik, Courtesy NYCB.

Fall is in full swing; as the weather grows cooler, all we want to do is curl up with an autumnal treat (try these four pumpkin recipes) and a good movie. Luckily, Netflix has some of our favorite dance documentaries available for streaming. So next time you're settling down for a night in, look no further for what to watch; these films are sure to leave you inspired and even more in love with ballet.

Restless Creature, 2017

After limited release in theaters this summer, we're thrilled that Restless Creature has made it to Netflix. This emotional documentary follows former New York City Ballet principal Wendy Whelan as she makes the decision to retire from the company that she called home for 30 years. With plenty of dance footage (starting with her childhood training in Louisville, Kentucky), Restless Creature offers an intimate portrait of one of the world's most famous modern ballerinas.


A Ballerina's Tale, 2015

A Ballerina's Tale tells the story of Misty Copeland's rise to the top. Released just before her promotion to principal dancer at American Ballet Theatre, the film follows Copeland as she overcomes self doubt and injury while making history as an African American ballerina. Interviews with Copeland and footage of her dancing are coupled with the voices of other black women who have been the first in their fields.

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Wendy Whelan's Newest Role: Ballet Stager

Photo by Lindsay Thomas, Courtesy PNB

Company class is a little more exciting these days at Pacific Northwest Ballet. Look over in the corner of the studio and it's obvious why—Wendy Whelan is here. Dressed in a vest, with her pants tucked into her socks, one might almost forget that her name is virtually synonymous with the term ballet. But watch her do a devéloppé and you instantly remember. Her collection of accomplishments is extensive—classical ballerina, freelance artist, inspirational teacher, or even, as of late, documentary film star. But now, she's adding another new hat: ballet stager.

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