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Dancers in Brendan Fernandes' exhibit "The Master And Form," shown here at the Monique Meloche Gallery, Chicago. Photo by Brendan Leo Merea, courtesy the Whitney Museum of American Art.

It sounds like a ballet dancer's worst nightmare: hold extensions and splits for a prolonged period, improvise in a cage and on a rope, and execute a ballet barre to performance standards. Do it with no music, wearing just a leotard and tights for an audience that's only two feet away, staring at every move.

Scary as that may sound, that's what the dancers in "The Master And Form" are doing in nine shows a week through September 22 at the Whitney Museum of American Art in New York City. The exhibit, by Chicago-based artist Brendan Fernandes, is part of the Whitney Biennial 2019, which showcases the "latest developments" in American art.

"When dancers are performing, the feats look effortless," says Fernandes. "But it's labor, and dancers are masochists. I wanted to show the pain and the pleasure."

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One of Jerome Robbins' most iconic dances from the 1961 film West Side Story. Via Giphy.

Since news that Steven Spielberg was directing a remake of West Side Story was released last winter, we've been eagerly awaiting any and all updates. Last month, Justin Peck was brought on board as choreographer, joining famed playwright Tony Kushner, who's adapting the script. Peck seemed like the obvious choice; in addition to following in original West Side Story choreographer Jerome Robbins' sneaker-clad footsteps as resident choreographer of New York City Ballet, he recently took home a Tony Award for his work on Carousel.

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