Remie Goins, a student at International City School of Ballet in Atlanta, performs at the YAGP finals. Photo by VAM, Courtesy YAGP.
You've watched First Position, the 2011 documentary about dancers at Youth America Grand Prix. You've studied videos of past ballet competition winners online. Now, you're interested in joining those elite ranks by entering a competition yourself. But what if your school doesn't have a program set up to guide you through the process? Pointe asked four experts to break down what ballet competition newbies need to know.
Miko Fogarty. Photo by Andrew Ross, Courtesy Birmingham Royal Ballet.
Where in the world is Miko Fogarty? Just three years ago, she seemed unstoppable. After being featured in the 2011 ballet documentary First Position, she became a teenage social-media star, winning top prizes at competitions in Moscow and Varna and at Youth American Grand Prix, and dancing in galas around the world. Last most of us heard, it was 2015 and she had just joined the corps of Birmingham Royal Ballet. A year later, she dropped off the ballet radar.
Turns out Fogarty, now 21, was taking time off to reevaluate her life, including the role she wanted ballet to play in it. She is now starting her junior year as a biology major at University of California—Berkeley and is considering going to medical school. (Her brother and fellow First Position subject, 19-year-old Jules, is a junior in the Berkeley economics department.) On the side she teaches private ballet lessons and gives master classes, and is the part-time conservatory director at San Jose Dance International, a new school in the San Francisco Bay Area led by artistic director Yu Xin. We caught up with her by phone.
Last we heard, you were at Birmingham Royal Ballet.Where have you been over the last couple of years?
I've been kind of quiet on social media about what I'm up to. I hope in the future to be more open with my followers on my daily life. I'm kind of in the process. Right now I'm a premed student at Cal and I'm researching science, which is completely different from what I was doing a couple of years ago. I'm also teaching a lot. I love teaching ballet; it's definitely one of my passions.
Kamikusa and Luzemberg Santana in "Nutcracker." Photo by Rejean Brandt, Courtesy RWB.
As the Red Girl in Mark Godden's Dracula last November, Royal Winnipeg Ballet's Yoshiko Kamikusa proved a perfect blend of strength and seduction. She sailed effortlessly through Godden's demanding choreography, melting through her upper body and whipping off fouettés with fearless energy. "It's a high-stamina piece, but I was really happy to be given that role," Kamikusa says. "It's a dance that represents the sultry lust of the Dracula story."
Born in Japan, Kamikusa moved to Hawaii when she was 6, starting ballet lessons a year later. By age 12, her family had relocated to Vancouver, where she began training with Vera Solovyeva and Nikolai Levitsky, then faculty members at the Goh Ballet Academy. She later frequented the international competition circuit, and was a finalist at Varna and Helsinki IBCs. She joined RWB as an apprentice in 2013, becoming a corps member the following season.