You trained partly at the Kirov Academy of Ballet in Washington, DC. What's the most important thing you got out of that experience?
The opportunity to go to Russia at age 16. Oleg Vinogradov, the director at the time, chose me to be an apprentice with the Kirov (now Mariinsky) Ballet. I worked with Andris Liepa and Ninel Kurgapkina, and took class next to ballerinas like Diana Vishneva and Uliana Lopatkina. It was an honor.
Since then, you spent your entire career at San Francisco Ballet. How have you grown as a dancer?
When I first came I was very focused on technique. I was 18, in the corps, and all of a sudden I was Sugar Plum. At this point 20 years later, I'm focused on the emotional aspects of my performance. I'm not concerned about how many turns I'm going to do, or how long I'm going to balance.