Class, rehearse, perform, repeat—a typical day at a ballet company follows the same routine week after week. It's a relentless cycle that Joseph Gatti, a former principal with Cincinnati Ballet and Corella Ballet and first soloist with Boston Ballet, thinks has a negative impact on professional dancers' longevity and performance quality. Now, Gatti—who has had an extensive international freelance career in recent years— is founding his own company in Orlando with a distinct focus on maintaining dancer health and wellness. Called United Ballet Theatre, the company will treat its dancers as athletes, building time within the workday for cross-training and personalized medical care, and alternating days of rehearsal intensity.
Gatti plans to start small as he builds support. For now, the company will employ between 8–10 dancers (including Gatti), as well as a handful of world-renowned guest artists. UBT will also operate during the summer months. "It's mainly for dancers on layoff who want to continue dancing, so that they can get consistent pay and work with great teachers and physical therapists," says Gatti. Artistic staff includes Vadim Fedotov, Irina Depler, Stanislav Fečo, Orlando Molina and Lasha Khozashvili. Repertoire and performance dates are yet to be confirmed, although Gatti hopes to bring in new contemporary works and condensed full-lengths, like Fedotov's Romeo and Juliet.