Richmond Ballet dancers in "An Open Later..." by Matthew Frain. Photo by Sarah Ferguson, Courtesy Richmond Ballet.
What's going on in ballet this week? We've pulled together some highlights.
The Bolshoi Premiere of John Neumeier's Anna Karenina
Last July Hamburg Ballet presented the world premiere of John Neumeier's Anna Karenina, a modern adaptation on Leo Tolstoy's famous novel. Hamburg Ballet coproduced the full-length ballet with the National Ballet of Canada and the Bolshoi, the latter of which will premiere the work March 23 (NBoC will have its premiere in November). The production will feature Bolshoi star Svetlana Zakharova in the title role. This is especially fitting as Neumeier's initial inspiration for the ballet came from Zakharova while they were working together on his Lady of the Camellias. The following video delves into what makes this production stand out.
When former Ballet West principal Michael Beardon took over Ballet Arkansas in 2013, he wanted to find ways to connect the small, 13-member company to the greater dance world and help its young artists develop. “The more interaction they have with knowledgeable and talented choreographers, the faster they’re going to grow,” says Beardon. To do so, he initiated Visions: A Choreographic Competition, an event that also aims to nurture emerging dancemakers and educate audiences. Next week, the second annual Visions competition is set to hit Little Rock’s Center for Performing Arts University Theatre, showcasing the works of five choreographers in an interactive, “So You Think You Can Dance”-style setup.
This year’s competitors were selected from 31 candidates, and include Boston Ballet corps member Boyko Dossev, former Pacific Northwest Ballet dancer Barry Kerollis, former Ballet West principal and Visceral Dance Chicago dancer Tom Mattingly, Post:Ballet’s Aidan DeYoung and former Houston Ballet soloist Ilya Kozadayev. The choreographers have one week to create a 4–6 minute selection on Ballet Arkansas dancers before a public performance on August 22. A panel of three judges, headlined by Hubbard Street Dance artistic director Glenn Edgarton, will evaluate each work, with the winner receiving a commission to complete their new ballet for the company’s spring program in May 2016.
Beardon set up the performance much like an episode of SYTYCD: A short video shot during the rehearsal process introduces the featured choreographer, followed by a performance of his work. Immediately afterward, the finalist takes the stage, where the judges provide live feedback. “The competitors get input on how to make their craft better, but it also educates our audience about what makes good dance,” says Beardon. Each judge receives 25 percent of the vote, but the audience collectively determines the last 25 percent. “They can definitely influence the outcome,” says Beardon, who admits the process also helps him crowd source what his community responds to. “I love to know what they like, and I’ve been pleasantly surprised in the past.” Seems like a smart way to build a devoted audience. For tickets and more information, click here.