Scarlett rehearses Fearful Symmetries with SFB principals Yuan Yuan Tan and Carlo Di Lanno. Photo by Erik Tomasson, Courtesy SFB.

Royal Ballet artist in residence Liam Scarlett is noted for the psychological themes of his one-act ballets, like 2014's The Age of Anxiety. On May 4, he pushed those themes further with the premiere of Frankenstein—his first full-length work for The Royal Ballet's main stage. Frankenstein marks a first-time collaboration between Scarlett and composer Lowell Liebermann, and is co-produced with San Francisco Ballet, which will give the U.S. premiere in 2017. Pointe spoke with the choreographer about his process and why he thinks Mary Shelley's novel is “perfection in literature."

Why were you drawn to Frankenstein?

I first read Frankenstein as a child. Now, it's less a tale of gothic horror and more a story of love: innocent love, the lack of love for oneself, betrayed and jealous love, and the desperate need to be loved by another. Every great story ballet has love at its center.

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