Scottish Ballet principals Constance Devernay and Andrew Peasgood in "The Fairy's Kiss." Photo by Andy Ross, Courtesy Scottish Ballet.

We have some very exciting news here at Pointe. From January 2–15, we will be streaming Scottish Ballet's production of Sir Kenneth MacMillan's The Fairy's Kiss (Le Baiser de la Fée). The free broadcast, filmed live in October at the Festival Theatre, Edinburgh, will be available on Pointe's Facebook page and our website starting at noon (EST) on January 2.

Inspired by Hans Christian Andersen's fairy tale "The Ice Maiden," The Fairy's Kiss is a one-act ballet composed by Igor Stravinsky in 1928. (Read the synopsis here.) While several choreographers have tackled the ballet over the years, MacMillan's version is especially rare. Created for The Royal Ballet in 1960, the production's sets and costumes proved so elaborate that it was too difficult to pair with other ballets, and the company shelved it after 33 performances. Although The Fairy's Kiss was briefly revived in 1986, Scottish Ballet is the first company to perform it since, honoring of the 25th anniversary of MacMillan's death.

Mia Thompson in "The Fairy's Kiss." Photo by Andy Ross, Courtesy Scottish Ballet.

The broadcast stars Scottish Ballet principals Constance Devernay, Bethany Kingsley-Garner and Andrew Peasgood, with sets and costumes by Gary Harris. Check out some behind-the-scenes footage below—then call your friends and plan your viewing party!

Scottish Ballet in "The Fairy's Kiss." Photo by Andy Ross, courtesy Scottish Ballet.

From January 2-15, 2018, Pointe is streaming Scottish Ballet's production of Sir Kenneth MacMillan's The Fairy's Kiss (Le Baiser de la Fée) on our Facebook page and website. Read the ballet's synopsis below.

The Lullaby in the Storm
A mother with her child struggles through the storm. The Fairy with her attendants appears and pursues her. The Fairy separates the mother from her child. Passing villagers find the body of the mother, now dead, and guided by the Fairy, they find the child. The Fairy kisses him on the forehead. The villagers become frightened and taking the child with them, they run away.


Photo by Andy Ross, Courtesy Scottish Ballet.

A Village Fête
The villagers gather for the fête. The child, now a young man, appears with his fiancée. A gypsy endeavors to tell the fortune of the young man and during the fortune telling the fiancée leaves with the villagers; left alone the young man discovers that the gypsy is the Fairy in disguise. She subjects him to her will, and promises him great happiness. Captivated, the young man is led to his fiancée.

Mia Thompson as the Gypsy. Photo by Andy Ross, courtesy Scottish Ballet.

At the Mill
Guided by the Fairy, the young man arrives at the mill, where he finds his fiancée playing games among her friends. The fairy disappears. They all dance. The Fairy appears again, and the young man is confused. The fiancée leaves with her friends and the young man is once more left alone. The Fairy reappears and the young man mistakes her for his fiancée. Suddenly the Fairy throws off her cloak and, dumbfounded, the young man realizes his mistake. He is defenseless before the supernatural power of the Fairy. His resistance overcome, she holds him in her power. She kisses him.


Constance Devernay and Andrew Peasgood. Photo by Andy Ross, courtesy Scottish Ballet.

The Lullaby of the Land Beyond Time and Place

The fiancée, lonely and sad, looks in vain for her lost love. The young man, now completely submissive to the power of the Fairy, is taken to the Land Beyond Time and Place; to live there eternally, marked by the kiss of the Fairy.


Text provided by Scottish Ballet

Alexei Ratmansky rehearses The Fairy's Kiss with Miami City Ballet dancers. (Photo by Daniel Azoulay, courtesy Miami City Ballet)

Choreographer Alexei Ratmansky will have world premieres on two coasts this winter. On February 10, Miami City Ballet will debut his new one-act version of The Fairy's Kiss to Stravinsky's celebrated score, a homage to Tchaikovsky. The following month, on March 15, at California's Segerstrom Center for the Arts, American Ballet Theatre will premiere his Whipped Cream, a new full-length story ballet to a Richard Strauss libretto and score.

Ratmansky has often looked to ballet history for inspiration. Fairy's Kiss, known as Le Baiser de la Fée when it was originally choreographed by Bronislava Nijinska in 1928, has been staged by Sir Frederick Ashton and Sir Kenneth MacMillan, and several times by Balanchine. Its story comes from The Ice-Maiden, a Hans Christian Andersen fairy tale, and Ratmansky has kept the narrative. A young man, about to be married, is bewitched by a fairy's kiss and stolen away from the mortal world. “I asked Alexei for a narrative work, possibly one with a Russian flavor to it," says MCB artistic director Lourdes Lopez. “Our dancers have a very strong dramatic quality and short narrative works are not a large part of our repertoire." Ratmansky had created an earlier version during his tenure at the Bolshoi Ballet; this is a new production with new choreography.

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